The next time you visit a place that has some elevation difference, take a moment to observe the other differences due to that elevation difference. For instance, notice the differences in these images here? The lowland forest interior, captured at the entrance to Westside Road in Mount Rainier National Park, looks deep and dark and is filled with lush vegetation like ferns and devils club along with dead logs and moss on parts of the trees. Sunlight makes its way into the forest in spots. Whereas the forest along Trail of Shadows in the Longmire Historic District looks – well – clearer, with more space in between the trees, less moss, and a clearer forest floor. Yes, there’s vegetation there, too, but as you can see, not quite as thick. In part because it’s not quite as wet as it is in the lowland forest, plus the difference in elevation between the Nisqually entrance and Longmire creates a difference in temperatures, too. Observation is key to getting nice photos, rather than just a grabshot.
Let’s see: I managed to visit Crater Lake just prior to all the stupid stuff people started doing there, like illegally hiking (slipping, sliding, rolling) down the very steep rim of Crater Lake to get to the shore (FYI there’s only one legal place to get down to the shore and that’s the Cleetwood Cove Trail). I also managed to visit prior to people defacating along the shoreline of the lake, flicking their cigarette butts into the lake, throwing underwear into the lake, and bringing their little paddle boards and other illegal watercraft to navigate the lake (illegal watercraft can have invasives like quagga mussels encrusted on their bottoms), all of which pollute the pristine waters of this amazingly blue lake that only gets its water from rain and snow and no sort of creek, stream, or river.
There’s a new kind of visitor to the national parks since the coronavirus pandemic: those people who are used to going to Wally World and waterparks and theme parks where there are restrooms and trash cans and food kiosks. These people don’t know how to conduct themselves in a national park, where there may not be those little conveniences. Unfortunately, there are not enough ranger staff to educate the ignorant, so environmental destruction has run wild in these places. While I think it’s great that more people discover the joys of being outside and exploring national parks, it would help if they visited the NPS.gov sites for these national parks to learn what they can and cannot do and can and cannot bring and at least care a little bit about keeping parks in good shape for future visits.
Since that Crater Lake visit, I’ve taken a short, mid-August trip to the Sunrise area of Mount Rainier National Park to fulfill a bucket list of goals such as photographing sunrise, sunset, and the Milky Way in that particular area of the park. I accomplished that and have written a photography article that should post late next week (Sept 4th) in the National Parks Traveler.
As for future plans, I am considering a trip in October to Redwoods National and State Parks to see (and photograph and report) if the California wildfires affected the redwoods there, but that remains up in the air at this point in time.
I still practice social distancing and wear a mask when out. Many people don’t do either, unfortunately. Until we have a valid, tested vaccine for Covid, I’ll continue doing that. Washington state has three face mask orders currently in place.
That’s pretty much it. In between writing photo articles and creating national parks quiz and trivia pieces for the Traveler, I help out around the house and yard and plan for future trips I may or may not take.
Each photo you take tells a story. I practically hammer that in to my readers in my monthly photo columns on the National Parks Traveler . But, I have some advice for you photographers who post your images out there on Flickr, Twitter, or Facebook:
Write a little bit about your photo, too. Add to that story.
People enjoy reading about how you captured the image, what you were feeling, what camera you used, even your settings. It adds to your story, fleshes it out, and helps others figure out settings for their own camera in similar situations. It also makes you more engaging, both as a photographer and a storyteller.
It drives me nuts to see an interesting image with no title, no commentary, no exif, no nuthin’. Now, I can understand why a photographer might not wish to indicate the location of the photo, since many places are loved to death, aready – no need to add to that. But, it’s a primary rant with me that many photographers won’t tell a damned story. Yeah, the sunrise over the mountains in that photo is gorgeous, and yeah, it looks a little cold, but surely there is more to it than that! What did you feel at the time you clicked that shutter button? How many miles did you have to hike to get there? Know anything about the ecosystem there; any sort of facts or trivia to impart to your viewers?
For instance, I took a couple of day trips this month (June 2020) over to Mount Rainier National Park, here in Washington state, for some photography. I was itching to get out with my cameras, but leery of things due to the coronavirus pandemic. When I visited, I practiced my social distancing, went to areas where there were few-to-no people, wore a mask where there were people, and thoroughly enjoyed myself – except for that one moment when a woman in a group not practicing social distancing came up to me, pointed at my mask, and told me I needed to take it off.
I posted some of those images on Flickr, and added commentary along with exif data (specific information about the image, including settings, etc.), because I want people to see the exposure information and to visibly see the difference visiting the same spot can make during different seasons, different times of the day, and under different weather conditions; in this instance, rainy and overcast versus a blue-sky day.
My first trip to the park since the coronavirus pandemic was June 8th, shortly after it reopened. My second trip was June 18th. The difference in weather is dramatic and you can see it in the images.
The first time I visited, I did not go via Chinook Pass to Tipsoo Lake because I knew things would be snowed over and, due to the rainy, overcast weather, I figured The Mountain would be hiding behind an iron curtain of gray fog. The second time I visited, I did drive by Tipsoo Lake, as you can see from the image at the top of this post.
I won’t make this post any longer, since attention spans aren’t what they used to be. But you should get the gist of what I am saying to you. If you post to a public viewing site, then write a little commentary / story to go with the image so people get a better flavor of the atmosphere and feeling around the photo.
FYI, in case you wish to quibble, photo essays are a little different, and there, you do need to be able to tell a story with just your photos and captions. Flickr, FB, and Twitter, however, are not exactly conducive to photo essays.
Here’s a fun fact for your Monday: the Hoh Rain Forest in Olympic National Park gets over 12 feet of rain a year. So, when you go visit, make sure you take along a rain jacket.
The image below was taken during late summer, and it was actually a dry day. In truth, all the days I was there in the park were dry days – well, ok, except for the last two days, when I visited Hurricane Ridge.
Big tree, small tree, short tree, tall tree. I don’t know if I just made that up or if I read it in some Dr. Seuss book. Anyway, when I first stepped upon the Hall of Mosses trail in the Hoh Rain Forest of Olympic National Park, I looked up at this very tall tree and snapped a shot of it with my iPhone. There are some very tall trees, indeed, in this place.
The National Parks Traveler has published Part 3 of my Armchair Photography Guide to Olympic National Park. Part 3 deals with traveling to and photographing the mountains of this amazing park. To read the article, click on the photo above.
Yeah, I’ve been posting quite a few tree and forest interior images. It’s what you do when you visit Olympic National Park. This shot was captured during a hike along the Sol Duc Falls trail in the Sol Duc Valley. There are all sorts of lovely, deep, quiet, photo ops and the trees always look very interesting. This tall tree in front appears to be growing right out of or at least, very close to, the tree behind it, if you look closely at the root structure at the bottom of the trees.
The moral of this story is that you should observe the scenes around you and not keep your head down as you head toward your sole purpose of hiking the trail in the first place (in this case, to get to Sol Duc Falls). The more you observe, the better your compositions become.
Scenery along the Hall of Mosses trail, with and without the Orton Effect, Hoh Rain Forest, Olympic National Park
Just as I have memorized the ingredients to only one drink (a prosecco margarita) so that I no longer need to look up the recipe, I have now memorized how to create the Orton Effect in a photo and won’t need to look up the instructions. What is the Orton Effect? It’s a method of creating a dreamy, Lord Of The Rings-type atmosphere within an image. Oh, I still prefer my images to look natural, but I must admit, the Orton Effect, when used judiciously, looks kinda cool, is easy to create (if you know how to create a Layer in Photoshop), and adds to the other photo editing stuff in my repertoire. The more I learn, the better I become.
I’m glad I visited Olympic National Park when I did, because it’s got some rainy weather going on now and probably will for the foreseeable future, I am guessing. Fall is coming. Winter is coming. Lots of rain and wet are coming to the Olympic Peninsula.
I captured this image because, as I was wandering the Hall of Mosses trail in the Hoh Rain Forest, I noticed the sun peeking through the trees. It created what is called a “single point light source” and is great for producing photographic sunbursts. I’d already set the tripod and camera up to photograph the interesting roots, and that little bit of sunburst light was a cherry on top.
I used my Pentax 645z medium format camera for this. I don’t use this camera as often as I should, because it produces wonderful images. As a matter of fact, I’m taking it with me on my forthcoming Yellowstone trip. I’m not even going to tell you how heavy the camera pack is, or the fact that I am carrying one of the long lenses in my laptop bag so I don’t have to put anything in checked luggage. 😁
While photographing the Hoh Rain Forest, I noticed my compositions were so “busy.” Lifting my eyes away from the viewfinder, I took a really good look at the scenery and realized that the rain forest is, indeed, full of “busy-ness.” There is a riot of tree limbs, branches and trunks, mosses draped over the limbs and carpeting the trunks, ferns and other flora blanketing the ground, and so many shades of greens and browns.
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
You can reach me at email@example.com