I know, it’s a couple of days early. But, like I tell people when I have a drink a little earlier than usual: “it’s 5 p.m. – er Christmas – somewhere in the world. 🙂
Tag Archives: Sony Alpha
Photography In The National Parks: A Matter Of Perspective
Photography is a matter of perspective, you know. It’s how *you* see things through your camera lens. My latest photography column has been published in the National Parks Traveler, and it deals with photographic perspective, using sample images I captured while visiting Lassen Volcanic National Park in California.
To read the article, click on either of the two images above.
The first image is the ground level view of the wall of blocky, black lava rock comprising the Fantastic Lava Beds, next to Butte Lake in the northeastern section of the park.
The second image is a much higher view of the lava beds from the summit of Cinder Cone, about 2 miles away from the first view.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Lassen Volcanic National Park, National Parks, National Parks Traveler, Photography, Photography In The National Parks
Fun Fact Friday 12-16-2022
It’s #FunFactFriday folks! According to the 2021 annual report put out by Yellowstone Volcano Observatory, which continues to work at locating every single hydrothermal feature within Yellowstone National Park, there is a current count of 1,100 thermal features within Norris Geyser Basin alone!
Pictured here is another “same place, different season” set of images captured at Porcelain Basin, a smaller area within the larger Norris Geyser Basin purview, showing some of those 1,100 thermal features.
There are times when I deliberately set out to photograph a spot I’ve already captured at some other time, but this was not one of those times. I just happened to be standing at the same view area slong the boardwalk – one time in early October (early autumn), then again in mid February (late winter) and discovered just this morning I’d taken photos of that same landscape.
The autumn image was captured with the Canon 5DS I used to own, and the winter image was photographed with my Sony a7riv. Both cameras used a 24-105mm lens (each their own brand). The 24-105mm lens is a great travel lens with a nice focal range that produces great landscape retults.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Fun Fact Friday, National Parks, Photography, Yellowstone National Park
Texture And Color
In many articles I write for the National Parks Traveler, I stress a couple of things for capturing a great image: look for texture and look for color(s). This telephoto shot of a bison seen between Mammoth Hot Springs and the Lamar Valley in Yellowstone National Park is an example of both color and texture. Take a look at the thick, wooly textures of the bison. And take a look at the differing shades of red-brown. When you look at a bison from a distance, you don’t necessarily see all those color gradations within its furry coat. And you know that the bison has a thick, wooly coat for the winter, but when you look at a close-up, you see the fine differences in texture, from what looks like soft undergrowth to much coarser wooliness. Even the bison horn has a certain amount of textural and color differences.
I captured this image at a turnout on the way to the Lamar Valley, testing out my previously-underused 200-600mm lens on the Sony A1. While not a prime lens, it’s a pretty decent lens for getting close to the subject.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Photography, Wildlife, Yellowstone National Park
One Heck Of A Pothole!
It’s Trivia Tuesday! So, what are you looking at in this image, you may be asking yourself. You see a teeny white SUV to the upper left of this image, some golden grass and scrubby sagebrush. You see a large hole in the center and center-left of the image. Well, that’s a pothole you are looking at. Yes, a pothole – like the ones your vehicle drives over and it doesn’t get fixed until some member of the city council or their relative damages their car driving over it and they demand it gets fixed. Only this pothole was created by something entirely different, and is out in the middle of Drumheller Channels National Natural Landmark, a part of the Channeled Scablands landscape seen along the Ice Age Floods National Geologic Trail in Eastern Washington state.
Ever heard of a “kolk”? Tens of thousands of years ago, colossal floodwaters surged through the area, higher than that white SUV, higher than any of the buttes you see in the image. Those waters were so strong and fast that they created corkscrew vortices called kolks (whirlpools) within the water. Those kolks drilled down into the ground and eroded and carried away boulders and soils to other destinations, leaving scraped and scoured landscape with these large potholes. And they are large. If you were to hike within the landscape of Drumheller Channels (much of which is located within the Columbia National Wildlife Refuge), you’d see dry potholes and water-filled potholes.
I’m writing a series of photo columns about the Channeled Scablands for the National Parks Traveler. Part 1 has already been published. Parts 2 and 3 are going to be published in later months.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Channeled Scablands, Drumheller Channels National Natural Landmark, Eastern Washington, Geology, Ice Age Floods National Geologic Trail, National Parks, Travel, Trivia Tuesday, Washington State
Alien Crash Site? Or Just A Little Hot Spring At Upper Geyser Basin?
This is just a close shot of a very small hot spring (maybe 3 feet in diameter, including the melted ground around it) I saw while walking on the boardwalks at Upper Geyser Basin in Yellowstone National Park one freezing February morning. It was a pretty thing, all bright and distinct against the white snow, and it reminded me of a favorite old 1950’s sci fi movie I watch all the time on my iPad when traveling (I listen to movies while editing photos). Anybody ever seen “The Thing From Another World?” Not the one with Kurt Russell, but the 1951 black-and-white version? To me, that’s a classic. The timing and overlapping of the dialog, the whole black-and-white scenario. I love it. Oh, the special effects are laughable, but I still like it way better than the 1982 film. Maybe it’s an age thing, but to me, the old movies are classics and always will be.
Anyway, where is this going, you may ask? Well, in the 1951 version, at one point, the plane with the scientists and the Airforce personnel are flying over the alien’s frozen-over crash spot, and it looks exactly like this little hot spring’s configuration right here. As a matter of fact, when I spotted this thermal spring, it was the first thing that popped into my head.
So, sometimes, you may photograph the things you see because they remind you of something else, right?
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Geology, National Parks, Photography, Yellowstone National Park
Reader Participation Day: What Is The “National Park Experience” To You?
I just returned from a winter trip to Yellowstone National Park. It was full of bucket list items I was able to check off. An amazing experience about which I’ll be writing in upcoming articles for the National Parks Traveler.
And, speaking of the Traveler, today’s edition has a Reader Participation Day article asking what the “national park experience” means to YOU. Why not go over, read the article and the questions asked, and leave a comment at the end of the article. The Traveler uses these things as pointers to what articles to next write and publish.
To read the article and leave a comment, click on the image above.
As for the image itself, it was serendipitous. I was staying at the Old Faithful Snow Lodge, and got up early that morning to do photography along the Upper Geyser Basin. It was snowing, and as I approached Old Faithful, I saw a small herd of bison grazing right there. Luckily for me I’d brought along my long lens (Sony 100-400mm) and captured some iconic shots that you’ll be seeing in upcoming Traveler articles.
Copyright Rebecca L. Latson, all rights reserved
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Filed under National Parks, National Parks Traveler, Photography, Seasons, Travel, Travel and Photography, winter, Yellowstone National Park
Welcome To Fort Clatsop
I will be the first to admit, visiting forts or other historical parks was never on my top things to do with my cameras. But, after a visit to this very small fort at Lewis and Clark National Historical Park in Oregon, where Lewis, Clark, and their Corps of Discovery spent a monotonous winter, I have changed my mind.
It’s one thing to read about forts and such, but it’s another thing completely to actually be standing there in the footsteps of history, exploring the nooks and crannies of what he/she/they built so many decades / centuries ago. You get a feel for what it was like to live in a place like this, out in the forest of the Pacific Northwest, near a river, during a wet, cold, dreary winter.
I included a visit to this national historical park during my photo trip along the Pacific Northwest portion of the Lewis and Clark National Historic Trail, and my resulting article has been published in today’s edition of the National Parks Traveler. If you ever have a chance to explore a historic(al) site like a fort or home or battlefield, I urge you to take the time to do so, and try to imagine what life must have been like in that spot so long ago.
To read the article, just click on the image at the top of this post.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under history, Lewis and Clark National Historic Trail, Lewis and Clark National Historical Park, National Parks Traveler, Oregon, Photography
Merry Christmas And Happy Holidays!
I know many of you will be traveling, if you are not already doing so, solo or with others, to celebrate whatever holiday you observe that comes around this time of year. So, I thought I’d get this posted, in case any of you decide to try out your own Christmas/holiday-themed photography.
Every year, it’s a tradition for me to photograph the decorated tree and to capture the warm and cool beauty of the season where I live. If it snows outside, which it has lightly done on and off for a couple of days, then I like to capture an image of the scene, including the snowy ground and looking toward and then through the window of the house, where we set up the tree and holiday lights.
I capture images of the livingroom decorations, tree, and all the presents as seen during the day and at night. During the day, the light tends to be cooler and the tree lights a little frostier and maybe even not as well seen. There’s a light, airy feeling to the daylight shot. Night, though, is a completely different story. The colors are richly saturated on their own, but with the addition of the warm gold from the tungsten lamps and the sparkly lights of the tree. Everything looks so inviting.
I make it a point to go outside at night to capture the look of the tree and decorations through the large picture window. This scene above is a sort of yin/yang composition that I often create without even knowing it. There’s the cold blue-white light of the outside light, next to the warm, golden light of the house interior.
And of course, I capture the ornaments and decorations, their colors and their sparkle.
This year, I used my Fujifilm GFX 100 and GFX 100s cameras. The GFX100 has a 45-100mm lens attached, and the 100s has a prime 23mm lens attached. The 45-100mm is analogous to a 35mm 36-79mm lens and the 23mm lens is analogous to a 35mm wide-angle 17mm lens. The photo above, however, of the light-up little snowglobes, was captured with a Sony Alpha a7riv and 24-105mm lens.
I hope all of you have a safe, peaceful, and photographically fun holiday time. Never stop taking those pictures, because that’s how you improve and learn.
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Filed under Christmas, Fujifilm GFX 100, Fujifilm GFX 100S, holiday, Sony Alpha a7r IV, winter
“Half The Park Is After Dark”
“Half the Park is After Dark,” as the saying goes. This week is International Dark Skies Week, so here are a few images of some dark skies over Mount Rainier, Crater Lake, and Big Bend national parks. To read more about this week, click on any of the images above.
I don’t do much night photography, but that’s mainly because it’s hard for me to stay up past my bedtime. I’m not a “night owl” and never was. I’m an “early bird” and have no problem getting up at 3 a.m. to get to a spot for sunrise shots. I really do need to get more night shots of the parks I visit, and I’ll try to make that a mission. Another part of the problem, besides light pollution and staying up late, is that clear skies and moonless nights are the best circumstances in which to view and photograph the stars and Milky Way. Sometimes, I remember to time my trips during the week of a new moon, but oftentimes, I simply forget.
Night shots are a good way to work on your photography skills. To get a decent star image, though, you need to set your camera to Manual (not Auto or Program), put it on a tripod, increase the ISO to greater than 640, and experiment with different slow shutter speeds, anywhere from 10 seconds to greater. It’s also helpful to use a corded or wireless remote shutter release, or utilize the 2-second timer on your camera. That reduces blur from camera shake when your finder touches the shutter button.
It takes a little expertise with the editing software to really bring out that Milky Way and landscape. Some photographers blend anywhere from two to more images to get enough light on the landscape while keeping the dark sky dark. If they are honest, they will say what they did. But most photographers keep quiet. That’s why you will be amazed at seeing something like the night sky over the Watchman and Virgin River at Zion Park, where the landscape is beautifully lit. when in reality – as you can see from the image above, captured around 2 a.m. on a cold, clear February night – it is a a bit darker. Nonetheless, it doesn’t detract from the beauty of the shot.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Big Bend National Park, Crater Lake National Park, Mount Rainier National Park, National Parks, Night Photography, Photography, Zion National Park
Where The Trails Take You Photography 
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