Pictured here is another “same place, different season” set of images captured at Porcelain Basin, a smaller area within the larger Norris Geyser Basin purview, showing some of those 1,100 thermal features.
There are times when I deliberately set out to photograph a spot I’ve already captured at some other time, but this was not one of those times. I just happened to be standing at the same view area slong the boardwalk – one time in early October (early autumn), then again in mid February (late winter) and discovered just this morning I’d taken photos of that same landscape.
The autumn image was captured with the Canon 5DS I used to own, and the winter image was photographed with my Sony a7riv. Both cameras used a 24-105mm lens (each their own brand). The 24-105mm lens is a great travel lens with a nice focal range that produces great landscape retults.
Ok, here’s yet another example of why you should take your camera out to a favorite spot during different times of year, weather patterns, and/or times of day. In the case of these two images, one was captured in mid-spring (June) 2020, and the other was captured in mid-late winter (December) 2020. Both were captured during the morning hours. Notice the difference in water flow and vegetation amount and color.
Ok, granted, the cameras and lenses are different, but the location – right off the side of Westside Road, about a mile away from the Nisqually Entrance (Mount Rainier National Park), is the same.
Copyright Rebecca L. Latson, all rights reserved.
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It’s Trivia Tuesday! So, what are you looking at in this image, you may be asking yourself. You see a teeny white SUV to the upper left of this image, some golden grass and scrubby sagebrush. You see a large hole in the center and center-left of the image. Well, that’s a pothole you are looking at. Yes, a pothole – like the ones your vehicle drives over and it doesn’t get fixed until some member of the city council or their relative damages their car driving over it and they demand it gets fixed. Only this pothole was created by something entirely different, and is out in the middle of Drumheller Channels National Natural Landmark, a part of the Channeled Scablands landscape seen along the Ice Age Floods National Geologic Trail in Eastern Washington state.
Ever heard of a “kolk”? Tens of thousands of years ago, colossal floodwaters surged through the area, higher than that white SUV, higher than any of the buttes you see in the image. Those waters were so strong and fast that they created corkscrew vortices called kolks (whirlpools) within the water. Those kolks drilled down into the ground and eroded and carried away boulders and soils to other destinations, leaving scraped and scoured landscape with these large potholes. And they are large. If you were to hike within the landscape of Drumheller Channels (much of which is located within the Columbia National Wildlife Refuge), you’d see dry potholes and water-filled potholes.
I’m writing a series of photo columns about the Channeled Scablands for the National Parks Traveler. Part 1 has already been published. Parts 2 and 3 are going to be published in later months.
I will be the first to admit, visiting forts or other historical parks was never on my top things to do with my cameras. But, after a visit to this very small fort at Lewis and Clark National Historical Park in Oregon, where Lewis, Clark, and their Corps of Discovery spent a monotonous winter, I have changed my mind.
It’s one thing to read about forts and such, but it’s another thing completely to actually be standing there in the footsteps of history, exploring the nooks and crannies of what he/she/they built so many decades / centuries ago. You get a feel for what it was like to live in a place like this, out in the forest of the Pacific Northwest, near a river, during a wet, cold, dreary winter.
I included a visit to this national historical park during my photo trip along the Pacific Northwest portion of the Lewis and Clark National Historic Trail, and my resulting article has been published in today’s edition of the National Parks Traveler. If you ever have a chance to explore a historic(al) site like a fort or home or battlefield, I urge you to take the time to do so, and try to imagine what life must have been like in that spot so long ago.
To read the article, just click on the image at the top of this post.
I know many of you will be traveling, if you are not already doing so, solo or with others, to celebrate whatever holiday you observe that comes around this time of year. So, I thought I’d get this posted, in case any of you decide to try out your own Christmas/holiday-themed photography.
Every year, it’s a tradition for me to photograph the decorated tree and to capture the warm and cool beauty of the season where I live. If it snows outside, which it has lightly done on and off for a couple of days, then I like to capture an image of the scene, including the snowy ground and looking toward and then through the window of the house, where we set up the tree and holiday lights.
I capture images of the livingroom decorations, tree, and all the presents as seen during the day and at night. During the day, the light tends to be cooler and the tree lights a little frostier and maybe even not as well seen. There’s a light, airy feeling to the daylight shot. Night, though, is a completely different story. The colors are richly saturated on their own, but with the addition of the warm gold from the tungsten lamps and the sparkly lights of the tree. Everything looks so inviting.
I make it a point to go outside at night to capture the look of the tree and decorations through the large picture window. This scene above is a sort of yin/yang composition that I often create without even knowing it. There’s the cold blue-white light of the outside light, next to the warm, golden light of the house interior.
And of course, I capture the ornaments and decorations, their colors and their sparkle.
This year, I used my Fujifilm GFX 100 and GFX 100s cameras. The GFX100 has a 45-100mm lens attached, and the 100s has a prime 23mm lens attached. The 45-100mm is analogous to a 35mm 36-79mm lens and the 23mm lens is analogous to a 35mm wide-angle 17mm lens. The photo above, however, of the light-up little snowglobes, was captured with a Sony Alpha a7riv and 24-105mm lens.
I hope all of you have a safe, peaceful, and photographically fun holiday time. Never stop taking those pictures, because that’s how you improve and learn.
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I know I’ve written this before, and I tend to hammer it in to the readers of my photo column on the National Parks Traveler. But, I’m not going to stop hammering it in, so here we go again: it’s always a great idea to revisit and rephotograph a favorite national park spot, because – depending upon the season, time of day, and weather – things can look quite different from the last time you visited. If you are using a newer/different camera, the level of detail can look quite different, as well.
Take these shots of Myrtle Falls in the Paradise area of Mount Rainier National Park (Washington state). Each of the three photos were actually captured in September, from late summer to autumn, and during the morning (I didn’t realize they were all captured in September until I looked at the file info). However, these images were photographed in different years (2016, 2020, 2021) and under different weather conditions. Makes quite a difference, doesn’t it?
The first image shows a sort of veiled mountain view that I photographed with my Sony a7riv. Smoke from a wildfire had wafted in that morning, when the previous morning was crystal clear. The second image is the most recent, captured the day after official autumn and conditions were perfect for a clear photo of everything and was photographed with my Fujifilm GFX100. The last photo was taken during a rainy day when The Mountain was completely hidden from view by fog/mist/low-hanging clouds, so I focused on the waterfall rather than the gray background with my Canon 5DSR. And the really nice thing is that during each of those photo sessions, I had the place all to myself (I may forget what I ate for breakfast the other day, but stuff like that, I tend to remember). Most people up there at that time of year tend to want to sleep in, I guess.
Anyway, look at these images and compare them to one another, then take my advice and revisit your favorite spots for more photos.
Copyright Rebecca L. Latson, all rights reserved.
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All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
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