In many articles I write for the National Parks Traveler, I stress a couple of things for capturing a great image: look for texture and look for color(s). This telephoto shot of a bison seen between Mammoth Hot Springs and the Lamar Valley in Yellowstone National Park is an example of both color and texture. Take a look at the thick, wooly textures of the bison. And take a look at the differing shades of red-brown. When you look at a bison from a distance, you don’t necessarily see all those color gradations within its furry coat. And you know that the bison has a thick, wooly coat for the winter, but when you look at a close-up, you see the fine differences in texture, from what looks like soft undergrowth to much coarser wooliness. Even the bison horn has a certain amount of textural and color differences.
I captured this image at a turnout on the way to the Lamar Valley, testing out my previously-underused 200-600mm lens on the Sony A1. While not a prime lens, it’s a pretty decent lens for getting close to the subject.
Bison In A Snowstorm At Upper Geyser Basin, Yellowstone National Park (Wyoming)
I just returned from a winter trip to Yellowstone National Park. It was full of bucket list items I was able to check off. An amazing experience about which I’ll be writing in upcoming articles for the National Parks Traveler.
And, speaking of the Traveler, today’s edition has a Reader Participation Day article asking what the “national park experience” means to YOU. Why not go over, read the article and the questions asked, and leave a comment at the end of the article. The Traveler uses these things as pointers to what articles to next write and publish.
To read the article and leave a comment, click on the image above.
As for the image itself, it was serendipitous. I was staying at the Old Faithful Snow Lodge, and got up early that morning to do photography along the Upper Geyser Basin. It was snowing, and as I approached Old Faithful, I saw a small herd of bison grazing right there. Luckily for me I’d brought along my long lens (Sony 100-400mm) and captured some iconic shots that you’ll be seeing in upcoming Traveler articles.
Copyright Rebecca L. Latson, all rights reserved
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Due to eye surgery a month ago, and inactivity prior to that, I haven’t really taken my cameras out, much. Now that the eye is so much better, I’m hoping to remedy that with a short trip to Mount Rainier National Park. If you’ve looked at my previous post, you’ll know I recently spent a morning out there. Still, though, I didn’t really give my cameras the kind of workout that I’d like.
So, this morning, for a short time, I took my Sony A1 and 200-600mm lens outside the house to photograph the bees that gather on the globe thistle bush next to our back gate. I already knew the bees loved those flowers, but had totally forgotten the flowers were actually in bloom. Although they are on the last legs of blooming, the bees still like to congregate there.
All the images you see here are hand-held. I much prefer that to placing that big honkin’ lens on a tripod because my range of movement is considerably lessened. Yes, I have a gimbal tripod head, but was too lazy to set it all up and lug it and the heavy lens out.
These images are also cropped anywhere from 33 percent to 67 percent of the original. Thanks to the Sony A1 and its 50 megapixels, I can still get a nice, clear image even after cropping.
I am a Manual Setting kind of gal. I learn more about my camera that way and feel like I have more control over exposure. ISO was 1250 because I wanted to make use of that fps since the bees are always on the move. Aperture was f/9, shutter speed was 640.
Climbing The “Tree” – Original – 68 percent cropClimbing The “Tree” – Noiseware applied to the bokeh’d background
As you can see from this original versus the finished product, above, there was a bit of noise (grain) at ISO 1250. I used Imagenomic’s Noiseware noise control plug in for Photoshop to control the grain, and selectively used it for the background, since you don’t see the grain issue so much with the flowers or the bee.
This high-resolution camera with its great fps (frames per second) shutter speed is the kind with which you should use a memory card that processes the images fast. The card I had in the camera was rather slow, so I had to wait for the image buffer to finish it’s job before I could capture another round of images.
I’ll be taking this camera and lens with me on my trip to Mount Rainier and hope I see some birds or even – if I am really lucky – furry wildlife. We’ll see. I’ll get back to you.
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
You can reach me at rebeccalatson@wherethetrailstakeyou.com
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