A Kalaloch Beach sunset from the gazebo, Olympic National Park
Good morning, class. Today’s lesson will be in composition: as in, what to try and avoid when composing your image.
Now, the image above is lovely, or rather, is looking upon a lovely scene. At the time I captured it, I know I wanted to get the scene below framed by the gazebo structure. However, I must have suffered a bit of a brain fart, because the composition did not come out as I’d hoped. What I should have done (and don’t know why I didn’t), was include at least a portion of a third post into the left side of the photo. Right now, in this image, things look a little weighted and not quite right. There is part of a post on the far right side, and a post in the middle, but absolutely nothing on the left side.
So, the moral (lesson) of this story is to try and make certain that, when looking through the camera viewfinder, your images are evenly weighted with regard to natural frames (like the gazebo posts).
Copyright Rebecca L. Latson, all rights reserved.
Oh, those pesky sensor spots! I’ve had my share of sensor spot issues lately with my Canon 1DX – primarily because of my constant use of the Canon 100-400mm telephoto lens with this camera body. This particular lens has a stupid push-pull zoom ; WTF was Canon thinking ? If you own one of these, put your fingers near the rear of the lens and feel the rush of air as you pull out, then push back the zoom mechanism – air carries dust particles which attach themselves to your camera’s mirror and ultimately the sensor – bleah. I hear, though, a rumor that a new version of this lens *may* be coming out and it *won’t* have that push-pull thing…..of course, it will be more expensive, what else is new?
Anyway, I digressed. Sorry. Back to the sensor spot problem.
I was reading a past issue of the NPP (National Photoshop Professionals) magazine and one of my favorite sections in that publication consists of photo editing tips and tricks in which regular people/photographers like you and me send in helpful hints for various editing processes. The one tip that stood out in this edition was how to easily spot hard-to-find sensor spots for cloning out of the picture if you are working with Photoshop.
That’s it. That’s all there is to it.
Ctrl-I makes your image into what looks like a negative or x-ray. It can emphasize those sensor spots that are very faded, but still present within the photo – sensor spots you may not be able to distinguish by looking at the photo in its original view.
If you are not working with layers at all, simply Ctrl-I and then utilize your “band-aid” tool of choice to clone out the sensor spots.
If you *are* working with layers (which is what I do), then you must first create a new layer (Ctrl-Alt-Shift-E) and rename that layer to something recognizable (like “sensor spots”).
Now, this isn’t to say that you will see every single sensor spot in this mode. It’s just a help to spy any spots you may have missed looking at the original photo. I always switch back and forth.
It’s a nice little technique for helping you make your own photo look as fantastic as possible.