Lahars (mudflows) can’t be predicted but they can be simulated using a special computer application. My latest contribution to the National Parks Traveler is all about this subject, so check out the article by clicking on the image above.
Copyright Rebecca L. Latson, all rights reserved.
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I don’t know how many of you out there are still on a waiting list for a Fujifilm GFX 100S. I had to wait 5 months for mine and I only lucked out because I started looking at camera store websites other than the Big Two (BH Photo and Adorama). I can honestly say that, if you are a landscape photographer, the wait is worth it. The resolution is phenomenal and Fujifilm has not only actually brought a medium format camera down to the price of a high-end SLR like Sony, Canon, or Nikon, but at about the same size, too!
So, not too long ago, I spent a couple of days with my cameras up at Mount Rainier National Park. My main reason – aside from getting out and about – was to give my Fujifilm GFX 100S more of a workout. It wasn’t a complete workout because I didn’t try to get any night shots (the moon was out, making the sky too bright for decent star pics – that plus I was too tired from a full day of hiking), but it was enough for me to give a few more thoughts on this camera as well as the Fujifilm GFX 100.
1. The level of detail is simply amazing. I find, though, that I must add more saturation to the image when working with it on the computer. Sure, I could switch the film simulation from Provia/Standard to Velvia/Vivid, but that’s just a bit too vivid for me. That, plus it appears – on the LCD anyway – that some of the finer detail seen in the Provia/Standard setting is removed, or covered over, with that large boost of saturated color in the Velvia setting. I tend to apply saturation judiciously and thus prefer using Photoshop, where I feel I have a little more control.
2. Learning the menu setup is like learning another language. I’m language-challenged, but I do know my rudimentary way around the Fujifilm, Sony Alpha, and Canon menu setups. The menu setup for this brand of camera is extensive, but easier to intuit than Sony’s menu settings. That said, it behooves one to do a marginal skim of the owner’s manual before heading out into the field. I didn’t do that and ended up spending 30+ minutes trying to work with a setting while out in the park, wasting some good lighting conditions. And, I know better than to do that! Jeesh.
3. Battery life sucks for air – especially with the GFX 100S. My intention was to use the GFX 100S for an entire day of shooting, but both the battery that came with the camera as well as the spare battery I’d purchased pooped out on me before midday. I’ve since ordered an extra couple of batteries on top of the two I have, and I went ahead and ordered a couple more batteries for the GFX 100, although it’s battery life seems to be a bit longer. I just don’t want to be caught out in the field empty handed when that once-in-a-lifetime composition comes along. Know what I mean?
4. Two-second timer. When the camera is on the tripod, I always use the 2-second timer. It eliminates that last bit of vibration from my finger touching the shutter button. With both the GFX100 and the GFX100S, there’s three parts to the timer. In the Shooting setting (the little camera icon in the menu), you can set the self-timer to 10 seconds, 2 seconds, or Off. Then, you need to tell the camera to remember that self- timer setting in order for that timer to remain in effect for the next image, or if you turn the camera off and then back on at a later time. Otherwise, the timer will only work for one shot. Then, you’ll have to go back in and tell the camera to use the timer again. You’ll also need to decide whether or not you want the self-timer lamp on. That’s the little light that turns on while the s elf-timer is in use. For night shots (which I haven’t tried yet), I’ll turn that lamp off.
That’s all I’ve got, for now. I’ll be taking the two cameras with me on a forthcoming 2-week trip to a couple of national parks I’ve never visited (fingers crossed I don’t have any further health issues – or car issues, for that matter). I’m not certain if I’ll be able to get any star shots due to the smoky skies from area wildfires, but if the sky is clear, then I’ll see how well these cameras do regarding night scenes.
Copyright Rebecca L. Latson, all rights reserved.
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Same thing, different day, different camera, slightly different perspective. This is why it’s not only ok, but really a good idea to revisit favorite spots with your camera. Because, things can look slightly (or radically) different, depending upon the day, weather conditions, and season.
“April showers bring May flowers.” While that might be the case in the lower elevations of the park, that’s not really so in the upper elevations. If you visit during mid-late July, however, you’ll see an explosion of wildflowers in the park, including the beautiful tiger lily.
As I was driving up the road from the Nisqually Entrance toward Paradise, one July a few years ago, I saw this patch of bright orange, strangely-shaped blooms. There was no place for me to stop along the narrow road, so I drove on, trying to figure out where I could park and then hike down to this patch. Luckily for me, a day later, while driving Stevens Canyon Road, I saw these flowers again, right next to a convenient pullout.The tiger lily plant, also known as the Columbia lily, can grow to a little under 4 feet in height, with a few or numerous orange blooms dotted with brownish spots. They are apparently lightly-scented, which I did not know, otherwise I would have bent down to sniff (and probably breathed in pollen and then gotten an allergy, so probably just as well I didn’t know this). Tiger lilys are just one of the many wildflowers you’ll see during a July visit to this national park.
Nature does a fine job at making her own Christmas tree, don’t you think? I photographed this lovely, snow-frosted evergreen along the side of the road in Mount Rainier National Park.
And, since it’s Fun Fact Friday as well as Christmas Day, here’s a little bit of Mount Rainier tree trivia for you: The trees in this park extend all the way up to over 6,000 feet along the mountain flanks (over 1,800 meters, more or less). Forests cover approximately 58% of this national park. And most of the trees here are evergreen conifers, meaning they have needles and they keep their needles on their branches year-round.
Each photo you take tells a story. I practically hammer that in to my readers in my monthly photo columns on the National Parks Traveler . But, I have some advice for you photographers who post your images out there on Flickr, Twitter, or Facebook:
Write a little bit about your photo, too. Add to that story.
People enjoy reading about how you captured the image, what you were feeling, what camera you used, even your settings. It adds to your story, fleshes it out, and helps others figure out settings for their own camera in similar situations. It also makes you more engaging, both as a photographer and a storyteller.
It drives me nuts to see an interesting image with no title, no commentary, no exif, no nuthin’. Now, I can understand why a photographer might not wish to indicate the location of the photo, since many places are loved to death, aready – no need to add to that. But, it’s a primary rant with me that many photographers won’t tell a damned story. Yeah, the sunrise over the mountains in that photo is gorgeous, and yeah, it looks a little cold, but surely there is more to it than that! What did you feel at the time you clicked that shutter button? How many miles did you have to hike to get there? Know anything about the ecosystem there; any sort of facts or trivia to impart to your viewers?
For instance, I took a couple of day trips this month (June 2020) over to Mount Rainier National Park, here in Washington state, for some photography. I was itching to get out with my cameras, but leery of things due to the coronavirus pandemic. When I visited, I practiced my social distancing, went to areas where there were few-to-no people, wore a mask where there were people, and thoroughly enjoyed myself – except for that one moment when a woman in a group not practicing social distancing came up to me, pointed at my mask, and told me I needed to take it off.
I posted some of those images on Flickr, and added commentary along with exif data (specific information about the image, including settings, etc.), because I want people to see the exposure information and to visibly see the difference visiting the same spot can make during different seasons, different times of the day, and under different weather conditions; in this instance, rainy and overcast versus a blue-sky day.
My first trip to the park since the coronavirus pandemic was June 8th, shortly after it reopened. My second trip was June 18th. The difference in weather is dramatic and you can see it in the images.
The first time I visited, I did not go via Chinook Pass to Tipsoo Lake because I knew things would be snowed over and, due to the rainy, overcast weather, I figured The Mountain would be hiding behind an iron curtain of gray fog. The second time I visited, I did drive by Tipsoo Lake, as you can see from the image at the top of this post.
I won’t make this post any longer, since attention spans aren’t what they used to be. But you should get the gist of what I am saying to you. If you post to a public viewing site, then write a little commentary / story to go with the image so people get a better flavor of the atmosphere and feeling around the photo.
FYI, in case you wish to quibble, photo essays are a little different, and there, you do need to be able to tell a story with just your photos and captions. Flickr, FB, and Twitter, however, are not exactly conducive to photo essays.
Copyright Rebecca L. Latson, all rights reserved.
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Did you know that Emmons Glacier in Mount Rainier National Park has the largest surface area of any glacier in the contiguous U.S.? And a great place to view this glacier and The Mountain is at Emmons Vista, in the Sunrise area of the park.
It’s that time of year again, folks. I’ve created three 2020 wall calendars and am working on a fourth, each centered around the national park trips I made over the course of this year. Yes, I know there are a gazillion gorgeous calendars out there. Just add mine to the pile.
What makes my calendars different from others is that many, if not most, of these photos, you’ve seen in some form or another, and you’ve read the story behind each photo, including what I was feeling at the time I captured the shot. Photography is about storytelling, and these calendars tell a story of my national park visits.
If you are interested in seeing what I have produced, click on each image above or on each calendar cover image in the left sidebar of this blog site.
I cannot drive past Tipsoo Lake in Mount Rainier National Park without stopping. No matter what. And, in the morning, it can be difficult to photograph, unless you are right there for those all-too-short moments of sunrise. After sunrise, the colors on the mountain vanish and the snow on the mountain becomes blown out. Sunsets are better times to photograph this place, but I’m never around during that time and during the summer, sunset occurs quite late at night, when I have usually driven back home. Someday, I’ll stay to capture the sunset, as I’ve seen beautiful images captured during that time.
Snow still lingers around Tipsoo Lake, and I was glad I took along my snowshoes when I visited the park a week ago. I got my morning exercise snowshoeing around the lake.
It’s Forest Friday! Yeah, still trying to work on those alliterative terms for the photos and days of the week. Sometimes it works, other times are iffy.
As for this image, when I was growing up, even into my early 30’s, I was never really interested in the forest. Hiking through it was boring and a means to an end of getting to some awesome mountain vista. Then, my digital camera days began, and things changed. I began to actually observe my interior forest surroundings. Even though green has never been a favorite color of mine, I began to discern all the myriad shades of green a forest possesses. I began to see the different mosses on the trees and nurse logs, and I began noticing fungi, from large, dish-shaped ones to teeny tiny delicate little ‘shrooms growing out of the side of a decaying log. That digital camera opened up a new world for me – one that had always existed but for which I never had much time or inclination to explore, and I began to actually *observe* my forest surroundings, which, in turn, has made me a much better photographer.
If you look at this image and keep peering at it and through it to as far as your eye can make out, you’ll see all sorts of different colors and textures and patterns, thanks to the waters of the Pacific Northwest.
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
You can reach me at firstname.lastname@example.org