Tag Archives: May

It’s been almost three decades since my last visit to Mt. St. Helens National Volcanic Monument. Since moving back to Washington state, I’ve been thinking about a little return trip there to see what has changed in the ensuing years. I figured a May day visit to celebrate 41 years since the volcano’s eruption would be a great opportunity to field test a couple of new cameras (Sony Alpha 1, Fujifilm GFX 100).

It takes four hours to reach the Johnston Ridge Observatory from where I live in central Washington. In my case, it took a little longer, since I stopped at various view areas along the way. There are actually two ways to get to the volcano. There’s the slightly shorter route to Windy Ridge, on the northwestern side of Mt. St. Helens, with a great view of Spirit Lake (the road which is still closed due to snow). And then, there’s the slightly longer route along Spirit Lake Memorial Highway up to the Johnston Ridge Observatory, slightly northeast of the crater.

The first view area at which I stopped was the Hoffstadt Bridge area. There are 14 bridges built along the Spirit Lake Memorial Highway leading up to the Johnston Ridge Observatory. This bridge pictured here is the tallest of them and is located at the edge of the blast zone in this area, about 22 miles away from the volcano. The trees and green foiliage you see in the images have grown since Mt. St. Helens’ eruption 41 years ago.

After photographing the bridge, I noticed this lovely leading line of a trail creating a yin-yang feel to the scene, with the bare white tree trunks on one side and the heavier, green foliage on the other side. No, I didn’t take the trail, so I don’t know where it ultimately led. I was trying to get closer to the volcano while decent morning light remained.

I stopped at a couple more view areas, including the one above, with a side view of Mt. St. Helens and what I assume is Castle Lake to the center right of the composition. FYI, it’s reaaaalllly windy at this view spot as well as the Elk Rock Viewpoint, a stop before the Castle Lake Viewpoint. I was glad my tripod was heavy but still worried about camera shake because of the wind. I was also glad I had ear flaps to my Tilley hat, otherwise it would have blown off my head and far away.

All along the road up to the observatory, there are great stands of trees all about the same height, with signs denoting the type of tree and when they were planted. Most were planted between 1983 and 1986. This stand of noble firs was planted 1983, three years after the eruption.

The first really good, head-on view of Mt. St. Helens, imo, is at the Loowit View Area, probably a mile – more or less – down from Johnston Ridge Observatory. As you can see from the image above, even at 8 a.m., good morning light doesn’t last very long, as the vista was becoming hazy with a slight blue cast to it. Take a moment to note that contrail in the upper left corner. Every single plane I watched flying over me made a beeline to the mountain. I imagine pilots include this view in their flight plan for the benefit of the plane passengers?

This view area (as well as the observatory area) was totally devoid of the chilly wind I’d experienced on the way up, which was a nice change. No real tripod shake and I didn’t have to worry about my hat flying away.

It was interesting to see the growth that’s occurred in 41 years, yet still see very obvious signs of blast devastation. The cliff walls near the top of the image tower over the Toutle River (or what is left of it, after ash and mud spread out, flooded down, and clogged parts of the river.

I think I spent a good 45 minutes there before heading on up to Johnston Ridge Observatory. The observatory is closed, to date, and there are no restrooms or water, but the parking lot and view points are open. The last place for restrooms and water are at Coldwater Lake, some 8 miles back down elevation (or, if you look at a map, further north in distance) from the observatory.

It was after 9 a.m. by the time I reached the Johnston Ridge Observatory. The volcano was in my face as I walked up the paved rampway.

As you can see from the image above, the atmosphere around Mt. St. Helens was hazy and had quite the blue cast to it. Regardless of lighting conditions, to see up close this volcano and the devastated area around it is truly impressive.

There is a paved walkway in both directions from the observatory’s main view area, so I walked up to this view of what remains of trees that were 150 feet tall. These blasted stumps are what is left of trees blown by the power of the eruption back to the valley you see in the background.

Before I left to head toward Longview and attempt an early check in, I walked the paved trail in the other direction from the image of the blasted trees. Lo and behold, right there on the hillside where the observatory building stood was a trio of mountain goats. I’d been given a heads up by a local photographer that I might see elk, so I’d attached my Sony a1 to my 100-400mm lens. I did see elk along the route to Spirit Lake Memorial Highway (aka Hwy 504), but they weren’t in the national monument proper and I was trying to get to the volcano while there was still decent morning light. I’d switched out lenses while photographing at Loowit View Area, so I had my 24-105mm lens attached, with which I ultimately had to make do for the photos I captured of the mountain goats. This image has been cropped from the original and it was the only one showing this goat’s front end (rather than the butt ends of the other two goats on the hill).

I was able to get early check in for my reservation at the Quality Inn & Suites in Longview, a little over an hour’s drive away from the observatory. In retrospect, I wish I would have stayed at the Comfort Inn, right next to the Three Rivers Mall and closer to places for take out options. The hotel at which I stayed is in Longview’s industrial section and is a bit dated. My room had cracks in the sink and the toilet, plus my room’s door wouldn’t automatically lock after shutting. Thankfully, that issue was fixed promptly, or else I would have asked for a different room. The hotel staff was very friendly, which was a plus to an otherwise meh hotel stay. I only stayed one night, so the room was fine enough.

I returned to Mt. St. Helens later in the afternoon and the lighting was considerably better. I also noticed steam rising from a couple of vents in the lava dome that I had not detected early that morning. That was pretty cool.

I made my way from the Loowit View Area back up to the observatory (see image at the very top of this post). Once again, as I was getting ready to return to my vehicle, I saw the same three mountain goats I’d spotted earlier that morning. And of course, my Sony still had the 24-105mm lens on it. The goats were closer to the paved walkway, but I didn’t want to get too near as one of the three was rather aggressive and I sure as heck didn’t want to be on the receiving end. So, I did what any good photographer would do with a wide-angle lens on their camera instead of a telephoto lens (left back in the car): I made the wildlife a part of my landscape scene.

What did I think of my cameras? I love them both! That GFX 100 is the landscape camera of my dreams, although I sure wish they had a wider selection of lenses. Fujifilm apparently figured the GFX 100 would be used only for portraiture and architecture. That’s probably true for what the current majority of photographers who own this camera use it. But with the advent of the GFX 100s, I would imagine there are a great many more landscape photographers out there who will use this medium format for their work. Hopefully, the people at Fujifilm will take note and create more lenses.

The Sony a1 is an exceptional camera, as is the rest of its line. This one combines the resolution I like for my landscapes, along with a shutter frame rate (up to 30 fps) perfect for wildlife and sports photography. I’m hoping to get more wildlife action from this camera during an upcoming visit to Kings Canyon, Sequoia, and Yosemite national parks. Yes, I’ll be keeping a long lens attached to this particular camera during that trip.