I’d left Ely (pronounced Eee-lee), Nevada, around 6:30 a.m. for an hour’s drive to Great Basin National Park. I was about 30-ish miles south of Ely when I rounded a corner and started heading down into this wide, flat valley. The wind turbines, ribbon of road that looks like it goes way up into the mountains on the other side of the valley, and the sunlight highlighting the veil of haze captured my photographer’s eye and I just had to pull over and get a few photos.
In reality, that long road going up into the mountains is actually a dirt road on someone’s private property (lucky them). This paved road takes an almost sharp turn to the left and parallels the mountains before rounding the corner to the right.
And those wind turbines made a great geographic marker for me on the way from the park back toward Ely on the day I headed back home to Washington state. I’d left the Baker area at 2 a.m. so it was dark heading toward Ely. Distances are difficult to discern in the dark because you can’t see the landscape. However, when I saw the synchronous blinking red lights, I knew I was driving toward and past that small wind turbine farm and that Ely was closer than I thought.
Nevada has some amazing landscape and geology, and the roads are very good, but the stretches of road through the state are long and out in the middle of nowhere, seemingly far away from civilization (and gas stations).
It’s Trivia Tuesday! Did you know that the Tetons are the youngest mountains in the Rockies, and that the eastern front of the Teton Range is one huge fault scarp?
Speaking of Grand Teton National Park, tourism officials in Jackson Hole are looking forward to reaching that new “normal” regarding how they will open up, according to an article published today in the National Parks Traveler:
As for this image itself, I captured it on my very first visit into this national park, during my 2018 road trip move from Texas to central Washington. It was in the afternoon – I’d checked into my hotel, unloaded some of my stuff, then hopped into the car to drive into the park and do a teeny bit of scouting to see if I could find any good spots for sunrise shots. I didn’t go very far, though, because, in all honesty, I was plumb tuckered out. I’d been on the road for 11 days, driving, unloading, reloading, stopping off at national parks for 2-3 days here and there for full days of photography. I was having fun, but I was tired. Besides, as the afternoon progressed, the smoke from forest fires near and far became heavier. This image was taken not too far from the Windy Point Turnout. I’d gotten some shots there, then drove a little further northward before deciding to call it quits for the afternoon. By then, I’d pretty much figured out what my sunrise location would be.
A forest fire sunrise at Lake McDonald, Glacier National Park, in Montana
You’ve planned months or even a year ahead for that once-in-a-lifetime trip to a particular national park. Your arrival, however, may coincide with smoky landscapes from a forest fire, near or far. Don’t let that deter you from enjoying your stay and using your camera. My latest photography column published in the National Parks Traveler provides ideas to help you get WOW-worthy shots on even the haziest of days.
Good Morning, Class – I know it’s been a few days since my last post. You know how it goes. You get busy doing things, either photography or regular home/chore/errands and you find you don’t have time for much else. I wanted to show you some example photos Before/After using a lovely little tool in Adobe Lightroom, called the Dehaze slider. You might find it helpful for some of your own images.
These photos were taken during a 2016 autumn visit to the Paradise area of Mount Rainier National Park, Washington. Autumn, for me, is a magical time to visit any national park, with some caveats. Autumn in Mount Rainier may mean wonderfully crystal-clear skies with The Mountain out in its full splendor, or it might mean you are socked in with low-hanging clouds and fog. While the fog/mist can create some ephemeral, haunting images, it can also get in the way, at times. And, that’s where the Dehaze slider comes in. It really does reduce the amount of whiteness/haziness that you might have in your imagery. The more you move the slider to the right, the more the haze is reduced.
These images are pretty much not edited in any other way than whatever preset I used in Lightroom, along with the Dehaze tool. I didn’t do anything in Photoshop except convert the TIF images to JPG and the color space from ProPhoto RGB to sRGB, with adjustments to the saturation and brightness.
If you use Lightroom for your own photo editing and have never tried out the Dehaze slider, I urge you to play around with it and see whether or not you like it.
Blue Grouse chick – before using the Dehaze slider
Blue Grouse chick – after using the dehaze slider
Hoary marmot – before using the Dehaze slider
Hoary marmot – after using the dehaze slider
Visitor center at Paradise – before using the Dehaze slider
Visitor center at Paradise – after using the Dehaze slider
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
You can reach me at firstname.lastname@example.org