I hope you have a great day and even managed to sleep in a little bit!
Tag Archives: colorful
The Difference Between A Summer Morning And A Summer Sunset
Ruby Beach, Olympic National Park, Washington
I’ve hammered this in to my National Parks Traveler readers as well as you, I know, but visiting a place more than once, during different times of the day, during different seasons, and/or under different weather conditions can really make a difference in what you see through your camera’s viewfinder.
The first shot was taken around 8:30 a.m. PST. I was just too tired to get up to get a sunrise and I already knew that coastal sunrises along the Olympic Peninsula – at least when staring out in the direction of the sea – are lovely, but not dramatic (at least, not during the time I was there). Sunsets, on the other hand, are spectacular and I’d already gotten sunset shots on two different days at Kalaloch Beach, so I wanted to get a sunset image or two (or a bunch) at a beach with some interesting topography to it. I’d captured images of the actual sunset, and the tide was coming in, so I decided to hike back up the trail to the parking lot. I’d gotten up two-thirds of the way, turned around, and saw the sky an incredible pink-orange color, so I dropped everything and handheld the camera for this shot, taken almost exactly 12 hours later, at 8:32 P.M. PST. That tall piece of rock you see is called Abbey Island.
Copyright Rebecca L. Latson, all rights reserved.
Morning Glory Pool, Upper Geyser Basin, Yellowstone National Park, Wyoming
Yes, I now have my own images of a much-photographed park icon. It’s photographed because it is so beautiful. The interesting (and sad) thing, though, is to see how much the colors of this pool have changed over the years, due to people throwing coins, rocks, and other trash into the clear, once deep blue water and lowering the temperature.
I ran a search on the National Parks Traveler site and found a December 2014 article about the changes in color and how efforts to clean the pool weren’t able to reverse the damage done. To read the article, click on the image above.
Copyright Rebecca L. Latson, all rights reserved.
I subscribe to Petapixel. It’s an online magazine with all sorts of neat articles about the latest photography news (did you know Lensrentals.com and LensProToGo are merging?), cameras, camera gear, projects, etc. The other day, I read an article that piqued my interest and I ended up sharing it to my Facebook photography page (Rebecca Latson Photography). I thought I’d share it in a blog post too. To read the actual article, click on this link.
After reading the article, I decided to do some experimenting with strings of multi-colored Christmas lights (since I had 5 strings of them and only 2 strings of the white lights), using the same settings that the photographer, Irene Rudnyk applied (ISO 500, f1.2, 1/250 shutter speed, 85mm lens). Heaven knows, I didn’t have anything better to do, like laundry, dishes, or packing. It was a fun little experiment and I gained some valuable insights. Photography is about experimentation as well as about learning new techniques and ideas and stepping outside one’s own comfort zone to apply something new that they’ve learned. That’s how a good photographer becomes a great photographer.
- Ignore the clutter in the room and concentrate on the camera/light/backdrop/light setup. Just as in Ms. Rudnyk’s room, this light project can be accomplished in a very small space.
- Yes, you can do this project with just one person (yourself), but it’s not as easy. Because I was both photographer and model, and because I was using a remote shutter release instead of being the one to look through the lens at the subject, I kept checking the images to ensure I was positioned correctly in front of the lens and that the string of lights did not get in the way of the lens. You can see what happens when a colored light is in front of the subject and too close to a lens wide-open at f1.2. You also may notice just how shallow the DOF is on a 85mm lens wide-open. I didn’t mind that too much, as it added a teeny bit of dreamy quality to the shot.
- I carried out this project twice, over the course of 2 days. During my first attempt, I wasn’t using an 85mm lens, nor did I have the aperture wide-open to get the maximum bokeh. I used different settings as well, since I didn’t remember what Ms. Rudnyk’s settings were – I didn’t learn that until I actually watched her YouTube video embedded in the article.
- Ms. Rudnyk used white lights in a light, neutral-toned room with a large picture window letting in natural blue/white side light. Her model was pale and wore light-colored clothing. I was in a cluttered spare bedroom, in the evening – so no natural light – using a black backdrop and strings of multi-colored lights. The strings were dark (as opposed to the white strings used in Ms. Rudnyk’s images, which is why I used the black backdrop). I used a tall lamp near the camera for side-lighting. Sometimes the strings still showed through, but I don’t consider them too distracting.
- Because of the darker atmosphere, I used Curves to lighten, and sometimes Levels to brighten the composition. I also had to clone out a dark spot on my front tooth – I have a natural indentation on the tooth and it catches the shadow, so in some photos, it looks like a speck of food (sigh).
- I used my Canon 5DSR for this shoot. I love this camera, but it totally stinks regarding low-light, higher-ISO noise (what’s up with that Canon?). So I applied some Imagenomic-brand Noiseware noise-reduction software to the overall composition, which reduced/removed grain and helped my skin look a little more even (I’m definitely not as young as Ms. Rudnyk’s model).
All-in-all, it was a fun project and I like the results. Plus, I learned a new technique for neat portrait shots.
Note: If you are doing this all yourself:
- Use a wireless remote rather than the timer on your camera. Really, it is easier.
- Make certain you have a sturdy step-ladder and/or a spotter to keep you steady while you hang the light strings from the ceiling.
- Unless you want to put holes in your ceiling, I would suggest using something like duct tape. Gorilla-brand tape works really well. If you use any other kind of tape, it may be too weak to hold up the light strings for any length of time. I noticed this morning that the tape and lights had fallen from the ceiling to the floor.
- If you want light strings to lead to your lens, don’t use tape or anything else to secure the strings to the lens. Simply wrap the string around the lens itself to keep the string in place.
- Remember to stand in front of the light strings to get the nice bokeh.
- Have fun! Despite getting all sweaty and hot as I hung the lights up, set up the camera and ran back and forth to take a shot then look at the result, it was a neat, educational project.
My unwavering goal in life is to eventually move out of southeast Texas and back to Washington State to live close to my sister and her family. With that in mind and because it feels like I am actually doing something toward that goal, I have donated lots of clothing and other items to the local hospice thrift shop and boxed up (and continue to box up) items in my apartment that I don’t use much but don’t wish to part with at this point in time. Over the 4-day Thanksgiving holiday, I managed to move most of the boxes off of my apartment’s spare bedroom floor and into the spare storage closet, leaving enough room in said spare bedroom for a tiny studio, complete with 2 studio lights & umbrellas, black bedspread backdrop and a black covered table. So tickled was I with this setup that I decided to take a break from housework for the weekend and have some fun with glass and Christmas lights.
I used my Induro tripod and Canon 5DS and Canon 24-70mm f2.8L II lens, ultimately switching over to the Canon 50mm f1.2L lens. ISO for all of the photos you see was 100 and aperture was f11. I played around with the shutter speeds, ranging from 1/6 of a second to 30 seconds. For the plain glass images, I used my two studio lights. For the glass with Christmas lights images, all lights were turned off.
Becky’s little Christmas tree, with a suitcase on the right to hide the electric cords, and part of a studio light because – at the time – I had no other place to put it
I did not plan on putting up my tree this year. After all, I’d be visiting my sister and her family for the holidays, so why go to the effort of putting up a tree I would not see for the final 1-1/2 weeks of December?
One afternoon, however, during the weekend prior to Thanksgiving, while on a long walk, I was thinking how nice it would be to see bright, multi-color lights. My mind’s eye saw all sorts of photo ops….
No solicitation, Santa. Just leave the presents and don’t try to sell me anything.
To stave off the post-Thanksgiving-tryptophan sleepies, I decided to clean my living room window so that my lovely little Christmas tree would show up better from the outside. Naturally, I had to take tripod and camera out after dark to capture images of this one little tree glowing brightly in the night. Apparently, I am either the only person with a tree in the entire apartment complex, or I am the only person who likes showing off their tree through the window.
This photo was taken shortly after sundown. I deliberately set the f-stop to 22 so the lights would create little starbursts. The ISO was 500, I used my 24-70mm lens with the focal length set to 24mm, and the shutter was open for 30 seconds.
I switched from to my 16-35mm lens because I wanted a much wider-angle view of the complex and my tree. The only issue was the fact that the oak tree branches in the yard drooped quite a bit. The ever-so-slight breeze took those drooping branches and blurred them during the 30-second shot. The ISO was 250. I had to use noise-reduction with this image (yes, you can sometimes get grainy low-light photos even when using a low ISO) and I ultimately cropped out as much of the offending blurred branches as I could, giving this image a sort of pseudo-pano look.
Lots of frames in this image above: the front lights on the brick columns, the frame created by the apartment complex architecture, and the frame created by the oak tree limbs.
The Magic Tree. Easy to do if you ever decide to experiment yourself. Just put your camera and zoom lens on a tripod, set the camera for however many seconds you wish, then play around with zooming the lens in and out to get some funky effects while the shutter is open.
When I was little and living in Montana, I remember a certain time of year when there were multitudes of dragonflies flitting through the clear, dry, sunshiny air, in metallic colors of red, blue, and green. I called that time of year Dragonfly Season.
I visited Brazos Bend State Park the other day. It was a lovely, sunny, non-humid day in southeast Texas, where egrets and herons populated the sky and dragonflies of all hues skimmed the air.
Must be Dragonfly Season.
None of these photos were taken with a dedicated macro lens (I don’t own a macro lens). For this day, I just took a single lens, the Canon 70-200 L USM II f2.8 attached to my Canon 5D Mark II body. The nice thing about a full-frame camera is that you can really crop those babies and still get a nice image with decent resolution.