It’s Waterfall Wednesday! I took a quick look through all the photos I’ve posted and I didn’t see this one listed, so here it is. If I missed it and have posted it before, my apologies. I just lose track, sometimes.
Anyway, this is Gibbon Falls in Yellowstone National Park. Yellowstone has plenty of beautiful, photogenic falls, reached either by view area right off the road, or via a hike along a trail. Gibbon Falls has its own large parking lot and view areas (yes, multiple spots to view different angles of this beautiful waterfall).
Waterfalls make great subjects for silky water shots, you know. Yes, some people like their water to “look like water”, as one fan told me, but others like that dream quality of smooth, silky water that a slow shutter speed gives you. The key to getting a shot like this, where the lighting for the composition is good and the highlights in the waterfall are not too very blown out (overexposed) is to use a tripod (required, really) and a neutral density (ND) filter. ND filters come in verying sizes, shades (densities) and prices. Some of the fancier (and super-expensive) ones, like the Singh-Ray brand, can be adjusted to various densities of darkness with a twist of the outer filter ring. The darkness of the filter allows you to use really slow shutter speeds while still capturing a well-exposed image. If you don’t have a ND filter (and every SLR photographer should have that filter in their gearbag), a circular polarizer (CPL) can do a decent job, too. To be honest, I can’t remember if I used a CPL or a ND filter for this shot. If you have both filters in your camera gear arsenal, then try experimenting with each one to see which result you like best.
I also shot at a focal length that would allow for a decent cutoff of the trees at the bottom of the shot. Taking your compositional details into consideration (rather than just getting a grab shot), can mean the difference between a good image and a great image. Think of it as akin to trying to figure out where to (figuratively) chop off the arms and legs of someone you are photographing. Sometimes you just don’t have enough room to get everything in your shot, so you need to make that cutoff somewhere. Rule of thumb on that is to NOT crop off at the joints so it doesn’t look like they’ve been amputated.
And that concludes our photo lesson for Wednesday, folks. You are halfway through the week!
Copyright Rebecca L. Latson, all rights reserved.
