
I know, it’s a couple of days early. But, like I tell people when I have a drink a little earlier than usual: “it’s 5 p.m. – er Christmas – somewhere in the world. 🙂
Photography is a matter of perspective, you know. It’s how *you* see things through your camera lens. My latest photography column has been published in the National Parks Traveler, and it deals with photographic perspective, using sample images I captured while visiting Lassen Volcanic National Park in California.
To read the article, click on either of the two images above.
The first image is the ground level view of the wall of blocky, black lava rock comprising the Fantastic Lava Beds, next to Butte Lake in the northeastern section of the park.
The second image is a much higher view of the lava beds from the summit of Cinder Cone, about 2 miles away from the first view.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Lassen Volcanic National Park, National Parks, National Parks Traveler, Photography, Photography In The National Parks
This is just a close shot of a very small hot spring (maybe 3 feet in diameter, including the melted ground around it) I saw while walking on the boardwalks at Upper Geyser Basin in Yellowstone National Park one freezing February morning. It was a pretty thing, all bright and distinct against the white snow, and it reminded me of a favorite old 1950’s sci fi movie I watch all the time on my iPad when traveling (I listen to movies while editing photos). Anybody ever seen “The Thing From Another World?” Not the one with Kurt Russell, but the 1951 black-and-white version? To me, that’s a classic. The timing and overlapping of the dialog, the whole black-and-white scenario. I love it. Oh, the special effects are laughable, but I still like it way better than the 1982 film. Maybe it’s an age thing, but to me, the old movies are classics and always will be.
Anyway, where is this going, you may ask? Well, in the 1951 version, at one point, the plane with the scientists and the Airforce personnel are flying over the alien’s frozen-over crash spot, and it looks exactly like this little hot spring’s configuration right here. As a matter of fact, when I spotted this thermal spring, it was the first thing that popped into my head.
So, sometimes, you may photograph the things you see because they remind you of something else, right?
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Geology, National Parks, Photography, Yellowstone National Park
I had driven along the length of the Lamar Valley, then the road curved and headed more northerly, toward Cooke City. I’d already stopped and photographed Soda Butte (you can see it way in the distance a little left of center of this image), but decided to pull over again for a more wide-angle landscape.
Now, this image is nothing spectacular, although I think it’s pretty enough, and I (of course) like it. This image is more of an example of how a photograph can (and should) evoke some sort of emotion, memory, or feeling. That’s the hallmark of a good image, actually. Doesn’t have to be stunning to do that. When I look at this shot, I feel downright cold because I remember just how cold it was that day. I see the dry powder snow blown across the road by the freezing wind that chapped my cold hands. The day had a blue cast to it because it wasn’t a very bright day. The sun was hidden above angry clouds that turned into a winter snow storm later in the evening. The mountains were blue because they usually look blue in winter photos, don’t they? This shot shows that it’s a frigid winter in Yellowstone.
Scene shot with a Sony a7riv (a7r4) and Sony 24-105mm lens.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under National Parks, Photography, Sony Alpha a7r IV, Yellowstone National Park
After an over-two-month hiatus due to various issues including eye surgery, I managed to make it out for a day hike in Mount Rainier National Park. I’d been checking the weather reports, and thought that “mostly sunny” meant it would be a relatively clear day during which to see “The Mountain.” As luck would have it, the only time Mount Rainier was actually visible was during that time I was hotfooting it to the restroom because I’d had too much coffee to get me going that morning. Thereafter, the mist/cloud cover shrouded everything in a veil of milky white and totally hid the mountain. It didn’t stop me from getting a little much-needed exercise and capturing a slew of leading line trail shots, but it did keep me from giving my new camera and a new lens a workout.
While I was hiking and photographing, I came upon the scene in the two images above. I thought it might be interesting to talk a little about photographic perspective. The first image has more of the trail in it than the second image. Which one do you like better? There’s no right or wrong answer here – it’s all a matter of your own perspective. But, you can see how an image may look slightly different, don’t you, depending on the position of the lens? It’s something to consider when you, yourself, are out there with your camera. Lens placement can make the same scene look slightly or quite a bit different. And, you can really see this change if you happen to be using a wide-angle lens, like a 14mm or a 16-35mm. This image was made with what you’d call a standard zoom: 24 – 105mm. And no, it wasn’t cropped. I simply zoomed the lens in a little bit to cut off some of the trail.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Mount Rainier National Park, National Parks, Photography
Or maybe I should have titled this post “The Lure Of The Trail.” Both are appropriate and actually meld into one another. I love leading lines – they are my favorite theme – and my favorite type of leading line is a trail. That trail leads the viewer’s eye deeper into the composition and onward to whatever adventure awaits. And trails within forests are my favorite, if for no other reason than the forest’s interior glow surrounded by green and brown shadows.
All of the images above were captured with my Sony Alpha 7riv and a 16-35mm lens during my 2020 October visit to Redwood National and State Parks. And all of these images were captured along one of the many trails in Prairie Creek Redwoods State Park in northern California. The tops of the trees are veiled a little bit in mist, as this trip was during the height of all the wildfires in California. Smoke drifted in from everywhere.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under California, forest, leading lines, National Parks, Photography, Redwood National and State Parks, Travel
It’s Saturday, folks! Or does it matter? For the past year, the days have all run together and I’m glad I have a calendar (a real paper one, no less) to which I can refer and find out what day it actually is ;).
This photo is looking up the very short .4-mile round trip Flood of Fire Trail in the Foree Area of the Sheep Rock Unit of John Day Fossil Beds National Monument, in Oregon. It was the last trip I made pre-pandemic, before things shut down. Not the last trip I made during the entire year, mind you, but the last regular trip I made prior to Covid.
Anyway, if you are ever looking for a nice little road trip to make, a trip to any of the three units within this national monument will allow you to stretch your legs, since the few trails in each of the units are short. I really wish there were more, longer trails, but I have a feeling that perhaps, national monuments don’t get quite the love (or money) that national parks get. Then again, national monuments probably don’t get the visitor headaches that national parks get – or do they?
Last year, I saw a post, either on Facebook or Instagram, by this national monument asking that people park responsibily in the Painted Hills Unit. Apparently there was a crowding issue, brought on by people wanting to get out and away from Covid for a little bit. Many of those people were probably the kind who are only accustomed to water parks or theme parks, and a trip to an actual, outdoor, in-the-wild-type park unit is a new experience for them – an experience for which they don’t know how to practice the Leave No Trace etiquette.
But, I digress. Central Oregon is a place of winding roads, slower driving (so as not to hit the cattle ranging freely), stunning geology, awesome landscapes for your camera, but few large towns or gas stations. If you prepare accordingly, it’s a great excuse for a road trip.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under John Day Fossil Beds National Monument, National Parks, Oregon, Photography, Sony Alpha a7r IV, Travel
The next time you visit a place that has some elevation difference, take a moment to observe the other differences due to that elevation difference. For instance, notice the differences in these images here? The lowland forest interior, captured at the entrance to Westside Road in Mount Rainier National Park, looks deep and dark and is filled with lush vegetation like ferns and devils club along with dead logs and moss on parts of the trees. Sunlight makes its way into the forest in spots. Whereas the forest along Trail of Shadows in the Longmire Historic District looks – well – clearer, with more space in between the trees, less moss, and a clearer forest floor. Yes, there’s vegetation there, too, but as you can see, not quite as thick. In part because it’s not quite as wet as it is in the lowland forest, plus the difference in elevation between the Nisqually entrance and Longmire creates a difference in temperatures, too. Observation is key to getting nice photos, rather than just a grabshot.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Forest, Mount Rainier National Park, Mt. Rainier National Park, National Parks, Photography, Sony Alpha a7r IV
Yahoo! The Great American Outdoors Act has been passed! So, now what? How will that $1.3 billion a year over the next 5 years be spent, and who gets the money? Remember, there are 419 units in the National Park System.
The National Parks Traveler has an interesting article asking that very question. Go check it out.
To read the article, click on the image above.
As for that image, I had arrived at the Crater Lake Lodge area around 4:00 a.m. and realized it was too cloudy to get any pre-dawn star shots. So, I sat in the car for awhile before finally venturing out to find the steps leading to the overlook, then setting up my tripod and camera for Blue Hour, sunrise, and after-sunrise shots.
I used my Sony Alpha 7R IV camera and 16-35mm lens for this shot.
Copyright Rebecca L. Latson, all rights reserved.
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Filed under Crater Lake National Park, National Parks, National Parks Traveler, Oregon, Photography, Sony Alpha a7r IV, starbursts, sunrise
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