Ok, this is not so much of an “ode” but it is an appreciation of what photo editing can bring out in a composition. Whether you believe it or not, and whether you even like it or not – most images really do need some sort of editing done to them after downloading them to your computer. Digital and mirrorless cameras capture all the detail of a scene, but they don’t necessarily present it quite like we saw it. Our eyes – our wonderful, delicate eyes – are still the best at defining detail within the light and shadow of a landscape. To get that image to match what our eyes have seen (and the memory recorded in our heads), some editing using a favorite piece of software, like Lightroom or Photoshop or some other program is really necessary.
It was my first-ever visit to this particular national park. An April birthday gift I gave to myself several years ago – that, plus one of the last paid vacations I’d be able to get out of the company before my subsequent retirement and out-of-state move some three months after this shot was captured. I wanted to photograph the detail of the amphitheater wall, so I used my Canon 100-400mm lens for a “telephoto landscape.” Unfortunately, I didn’t pay much attention to the camera settings, and the resulting image was washed out, a little overexposed, and downright “blah.”
Recently, I’ve been brushing up on my editing skills, learning all sorts of cool stuff through the video tutorials purchased from one of my favorite photographers, Sean Bagshaw. I wanted to test my newly-learned skills and returned to this image. The result is not half bad, imo.
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Here;s a wide-angle and a telephoto shot of the same area in the Painted Hills Unit of John Day Fossil Beds National Monument, located in east-central Oregon. The telephoto image focuses more on those beautiful folds of maroon and olive hills, which was the objective with the telephoto shot. This is also to prove you can get some really nice telephoto landscapes, too. Telephotos are not just for wildlife, birds, and sports.
It’s #FunFactFriday , so here’s some interesting facts about this national monument located in Oregon. There are three units in this national monument, and each unit is about an hour’s drive from any other of the two units (the roads are winding so it’s important to drive the actual speed limit). The monument, as a whole, contains fossils of plants and animals that date back as far as 44 million years. The varigated colors of the hills denote periods of climate change, between wetter and drier periods. The darker colors of the hills represent wetter atmospheres, in which water oxidized (rusted) the iron minerals within the soils.
It’s #FunFactFriday ! Meet Chief Mountain. Half of it is in the eastern portion of Glacier National Park, and half of it is in the Blackfeet Reservation. Named Ninaistako by the Blackfeet, it’s a place of sacred ritual and ceremony going back thousands of years.
According to the National Park Service’s Geodiversity Atlas for Glacier National Park, it’s also a premier example of a klippe: “a geologic term for the erosional remnant of older rocks in a thrust sheet completely detached from comparably aged rocks trailing behind. Like the Lewis Overthrust itself, Chief Mountain is considered one of the world’s outstanding examples of a klippe; its images grace the pages of many geologic textbooks.” Come to think of it, I believe I *have* seen this mountain in one of my geology textbooks.
Back in 2017, when I told my editor I was heading into Glacier National Park, he asked me for images of Chief Mountain to go with a National Parks Traveler article about bison, I think. On the day I traveled over to this area, it was really hazy with smoke from the Sprague Fire over on the west side of the park. So getting a clear image was impossible – on that day, at least – and took a little bit of editing and Adobe Lightroom’s dehaze slider to bring forth any details.Veiled with wildfire smoke or not, Chief Mountain is an impressive site.
Ok, I’m a little late in getting this posted – a day late, actually. Nonetheless, yesterday was National Bison Day. And, in honor of that day, the National Parks Traveler published a short aerial video about a herd of 100 bison from Badlands and Theodore Roosevelt national parks being released onto the Wolakota Buffalo Range of the Rosebud Sioux Reservation in South Dakota. That article also has links to other Traveler stories about bison.
To see the video and perhaps click on the links to other bison-related articles in the Traveler, click on the top image.
The images above were captured during a visit to the North Rim of Grand Canyon National Park. I was actually on my way out, but before I reached the park entrance/exit booths, I saw a small herd of bison on either side of the road. I parked in a pullout and drew out my Canon and 100-400mm lens to capture some shots of the bison and the tussle (and subsequent detente) between two male bison.
Here’s an interesting thing about the bison located on the North Rim: these particular animals are a result of an experiment at crossbreeding cattle with bison by a man named “Buffalo Jones.” Mr. Jones wanted to cross the two species to create a hardier breed that could withstand the cold and snowy winters of the Plains. Didn’t really work. The small herd made its way to the North Rim, and, if you ever see any during your own North Rim visit, look at them closely (without getting close to them, if you get my meaning) and see if you don’t spot a few that look “cow-ish” and maybe have white faces.
Even the smallest and/or prettiest of creatures can be territorial and exhibit more than just a little bit of visciousness in the daily fight for survival. Heaven knows I’ve experienced it within the human workplace, hence the sarcastic title.
I’ve been rescuing photos from a dying portable hard drive. The hummingbird images I captured between 2012 – 2014 are favorites of mine and they needed to be saved to another drive.
As a photographer, you can learn quite a bit about birds or other wildlife by simply watching and photographing them on a regular basis. During that span of years my mother and I hung out those hummingbird feeders in Texas, I would be over there every morning and/or evening to photograph these soft, tiny little birdies. The more I watched, the more I learned they aren’t quite as sweet as everybody might think. Luckily, this extended observation led to some very interesting photos.
How about a nice, peaceful, beach scene colored by the blush of “rosy-fingered dawn” to start your weekend? I have a feeling dawn won’t be as pretty where I live – it’s been overcast with a low cloud ceiling for the past few days.
Padre Island National Seashore in Texas is a great place to watch the sun rise. I got there at dark-thirty a.m. and just watched the play of colors over the sky and Gulf of Mexico, as the shore birds pattered along the water’s edge looking for breakfast.
Usually, I don’t travel to any national park with high expectations. I even wrote an article in the National Parks Traveler about the rewards of lowered expectations. I know it’s going to be rainy, overcast, snowing, probably the roads will be slick, and there might even be another f***ing government shutdown while I am there. Nonetheless, I am stoked to be returning to Yellowstone National Park in a few days for 8-1/2 days of fall photography. For a portion of that time, I’ll be staying at the historic Old Faithful Inn, and will definitely get some interior architecture images of that beautiful lodge. I so wanted to do this during my short summer stay (2-1/2 days) during my road trip move from Texas to central Washington, but the inn was full, the crowds were YUGE, and I ultimately needed to get back on the road again to my sister’s home.
I’ll be taking 3 cameras with me and an assortment of lenses: my Canon 5DSR, Canon 1DX Mk II, and Pentax 645z. I’ll take the Canon 16-35mm, 14mm, 24-70mm, 24-105mm, 100-400mm with a 1.4x extender, Pentax 28-45mm, and Pentax 55mm lenses. No need to tell me it’s going to be a heavy backpack I take onto the plane with me. I already know that. I had to pack one of my lenses into my laptop bag, which will also be carried onto the plane. Hey, I don’t know when I will be able to return to Yellowstone, so might as well bring as much as I can carry and that’s allowable on the plane, because I’d rather have it and not need it, than need it and not have it. Plus, I’ve broken lenses before while traveling (Hawaii comes to mind), so I’m being a little redundant with one of the lenses. I decided on this instead of trying to work around taking my Canon 500mm lens. As it is, I’ll probably forget something, even though I’ve written a list of things to pack.
Soon, soon, I will be back inside America’s first national park. Can’t wait!
During my road trip move from TX to central WA, I made Yellowstone National Park one of my stops along the way. Of course, it was summertime, probably the worst time in the world to visit that particular park. I couldn’t find a parking space at Upper Geyser Basin (and those of you who have gone there know how big that parking lot is) so, disgruntled, I drove on toward Gardiner, my hotel stay for the night. On the way, I saw the turnoff to Biscuit Basin and decided to try my luck there. A car was backing out of a small parking space so I quickly squeezed my own little car in. The landscape in this show was one of the first sights that greeted my eyes as I headed toward the boardwalk. The geology of Yellowstone never fails to amaze me.
I had reached the Washington Pass Overlook and was dying to get out to photograph the view and stretch my legs. So, I hefted a camera with a wide-angle lens and another camera with the 100-400mm lens both around my neck (I;m used to doing this from my past experience photographing weddings) and trod up the trail to the part of the view looking back down along the North Cascades Highway (opposite view from the previous posts). One of the first things that caught my eye, after taking in the view, was a little “knob” I saw on top of that second tree to your left. I couldn’t figure out if that was a tiny birdy or just a part of the tree, itself. When I looked through the telephoto lens, I saw that it was indeed a little bird. I have no idea what it is called (other than “bird”). Anybody know about birds in the West and Northwest?
Anyway, this is a good example of how being observant not only creates good photo ops, but also makes you a better photographer in general. I mean, how many other people standing up there even noticed there was this little bird waaaaay up on that tall tree?
Portrait of A Moose Cow, Fishercap Lake, Glacier National Park, Montana
Last week was Waterfall Wednesday, so this week, it’s all about the wildlife. This beautiful moose cow was photographed at Fishercap Lake in the Many Glacier area of Glacier National Park, Montana. I’d already heard that moose sightings were common at this lake, so I spent different times of day photographing there. It was nice to be able to do this, since my timing was a little poor to visit this national park. The Sprague Fire was raging, and there was so much smoke in the air during that time, I could barely see the mountains for landscape images. So, I’m glad I was able to clearly focus on something else.
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