Category Archives: Photography In The National Parks

Photography In The National Parks: Same Spot, Different Time/Season/Weather

If you’ve ever revisited a favorite spot in a favorite park during different seasons, times, weather conditions, you’ve probably noticed how these different conditions can change the look of the scene (and your resulting photos).

My latest photo column has been published in the National Parks Traveler, and it’s all about these differences.

Click on the image to read the article.

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Photography In The National Parks: The Invitation Of An Intimate Composition

When you look at other people’s national park photos, are there some images that it feels like you are literally being pulled into the scene? That’s the invitation of an intimate composition, and today’s edition of the National Parks Traveler has published my latest article about those photo invitations and the elements comprising an intimate composition.

To read the article, click on the image above.

Regarding the image, it was photographed some years ago during my stay at Stehekin, Washington, located at the head of Lake Chelan within the North Cascades National Park Complex.

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Photography In The National Parks: The Beauty Of A Simple Composition

There’s something to be said for a simple composition. It can tell a story just as compelling as a detailed landscape.

In today’s edition of the National Parks Traveler is my most recent photo column, and it’s all about the beauty of a simple composition.

Click the image above and go on over to take a look.

The image here was a simple one to shoot. I wanted to emphasize the trail from it’s wide openness at the bottom of the photo to its sinuosity as it wound around Cinder Cone to the very top. You can see that lone tree growing from the volcano’s flanks (which was another simple composition in and of itself when I photographed it with my telephoto lens).

Copyright Rebecca L. Latson, all rights reserved.

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Photography In The National Parks: Atmospheric Phenomena

It’s #TriviaTuesday folks!

What you see in this image is a part of what is known as a “sun halo.” It’s an atmospheric phenomenon, which is an event created by the interaction of sunlight or moonlight with the atmosphere, water, rain, clouds, dust, or other particulate matter. The belt of Venus, a rainbow, crepuscular rays, anticrepuscular rays, the Northern Lights – those are all atmospheric phenomena and I have written about photographing them in my latest article published today in the National Parks Traveler.

Just click on the image above to be taken to that article.

This image was captured during a hike along the Carroll Rim Trail in the Painted Hills Unit of John Day Fossil Beds National Monument in Oregon. This trail is the longest trail (maybe a mile one-way) in this particular unit and worth the hike up to the top for a 360-degree view.

Copyright Rebecca L. Latson, all rights reserved.

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Photography In The National Parks: My 10 Favorite Shots From 2022

The National Parks Traveler has published my latest Photography in The National Parks column. It’s the same thing every year, in keeping with a tradition I began back in 2015 when I started listing between 5 – 10 of my favorite images captured the previous year.

This month’s column is about my 10 favorite images I took during 2022, including the one you see here.

Now, I’m pretty sure you are wondering why on earth I might like an image like *this* one. Well, sometimes it’s not so much the landscape itself that makes for a favorite shot, as it is a pattern, color, texture, or memory of when / why that image was photographed. In the case of the image here, I thought the lines from the bottom of the photo leading my eye toward the Old Faithful Inn in the distance were pretty cool (aka leading lines). I liked the colors, the texture, and the parallel patterning of that thick ridge of snow and ice on the boardwalk (a good reason to be wearing traction devices on one’s boots, btw) on that very cold winter day in February 2022.

To see the rest of my 10 favorites, and to read why they are faves and how I got the shot, click on the image above.

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2022 Year In Review: Photography A Little Closer To Home

It’s been quite a year for the National Parks Traveler, with new units of the National Park System explored and resulting news, general interest, and photography articles written. If you follow the Traveler (and you should, if you want DAILY news from an editorially independent source about national parks in the U.S. and Canada), then you’ll know that the Traveler – like other news outlets – has been publishing various year-in-review articles the past week.

Published in today’s edition of the Traveler is my own 2022 Year In Review Photography article. Aside from a couple of 9- and 10-hour road trips to single destinations (Yellowstone National Park in winter and Lassen Volcanic National Park in autumn), the majority of my photography explorations have been a little closer to home along routes you might not even realize are parts of the National Park System.

To read the article, click on the image above.

This image is one of those closer-to-home venues, although I guess “close” is a relative term. It only took me 5 hours total drive time for a couple of days of photography including photographing the waves resuling from the annual king tides at Cape Disappiontment in Washington state, where the Pacific Ocean meets the mouth of the Columbia River.

Copyright Rebecca L. Latson, all rights reserved.

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Photography In The National Parks: A Matter Of Perspective

Photography is a matter of perspective, you know. It’s how *you* see things through your camera lens. My latest photography column has been published in the National Parks Traveler, and it deals with photographic perspective, using sample images I captured while visiting Lassen Volcanic National Park in California.

To read the article, click on either of the two images above.

The first image is the ground level view of the wall of blocky, black lava rock comprising the Fantastic Lava Beds, next to Butte Lake in the northeastern section of the park.

The second image is a much higher view of the lava beds from the summit of Cinder Cone, about 2 miles away from the first view.

Copyright Rebecca L. Latson, all rights reserved.

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Photography In The National Parks: Getting Great Smartphone Shots – Part 2

It’s #TriviaTuesday folks! If you visit Lassen Volcanic National Park in California, you’ll have the opportunity to see all four types of volcano: plug dome (aka lava dome), cinder cone, shield, and strato (aka composite). And you can hike up to each of these, too. Lassen Peak is one of the world’s largest plug domes, Prospect Peak is a shield volcano, Brokeoff Mountain is an eroded part of stratovolcano Mount Tehama, and, well, Cinder Cone is a cinder cone. You can even hike up to and then down into Cinder Cone, pictured here.

This shot was captured with my iPhone. And speaking of iPhones, and smartphones in general, my latest photo column has been published in the National Parks Traveler: Getting Great Smartphone Shots – Part 2.

To read the article, click on the image above

I’m an SLR gal, but I readily admit the smartphone camera is an amazing piece of technology and smartphone cameras can get some pretty cool shots. I used mine when I neglected to bring along a particular wide-angle lens for my other camera during my own hike up to Cinder Cone. And I wanted to prove, not only to myself, but to you also, that you can get some very nice images with your smartphone.

Copyright Rebecca L. Latson, all rights reserved.

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Photography And Trivia Tuesday

It’s #TriviaTuesday *and* my latest photo column has been published in today’s edition of the National Parks Traveler!

How many of you have ever heard of, or seen, columnar jointing? It’s a pretty cool geological formation that usually occurs with basaltic lava (as opposed to other lavas, although it’s happened with other mixes before). When lava begins to cool, it contracts, and when it contracts, it causes fracturing. This fracturing begins at the top and bottom and moves inward toward the center. Turns out (long story short) that the hexagonal pattern is the most efficient way for heat to be released when cooling. Columnar jointing occurs perpendicular to the original lava flow.

You can see really cool columnar jointing (aka columnar basalts) at places like Devils Postpile and Devils Tower national monuments. You can also see all sorts of columnar jointing along the Columbia River and in other parts of eastern Washington State, like at Drumheller Channels National Natural Landmark along the Ice Age Floods National Geologic Trail. And that’s what today’s photo column is all about: photography and exploration at Drumheller Channels.

Click on either the image above or the image below to read more and see more pics.

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Photography In The National Parks: An Exploration Of The Ice Age Floods National Geologic Trail – Part 2

A view of Echo Basin from the South Alcove of Frenchman Coulee, Channeled Scablands, Eastern Washington

September is a two-for-one month regarding photo columns published in the National Parks Traveler. The first article was about smartphone photography. This article is about a photographic visit to Frenchman Coulee in Eastern Washington, a feature of the Channeled Scablands along the Ice Age Floods National Geologic Trail.

To read this article, click on the image above.

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