I don’t know how many of you out there are still on a waiting list for a Fujifilm GFX 100S. I had to wait 5 months for mine and I only lucked out because I started looking at camera store websites other than the Big Two (BH Photo and Adorama). I can honestly say that, if you are a landscape photographer, the wait is worth it. The resolution is phenomenal and Fujifilm has not only actually brought a medium format camera down to the price of a high-end SLR like Sony, Canon, or Nikon, but at about the same size, too!
So, not too long ago, I spent a couple of days with my cameras up at Mount Rainier National Park. My main reason – aside from getting out and about – was to give my Fujifilm GFX 100S more of a workout. It wasn’t a complete workout because I didn’t try to get any night shots (the moon was out, making the sky too bright for decent star pics – that plus I was too tired from a full day of hiking), but it was enough for me to give a few more thoughts on this camera as well as the Fujifilm GFX 100.
1. The level of detail is simply amazing. I find, though, that I must add more saturation to the image when working with it on the computer. Sure, I could switch the film simulation from Provia/Standard to Velvia/Vivid, but that’s just a bit too vivid for me. That, plus it appears – on the LCD anyway – that some of the finer detail seen in the Provia/Standard setting is removed, or covered over, with that large boost of saturated color in the Velvia setting. I tend to apply saturation judiciously and thus prefer using Photoshop, where I feel I have a little more control.
2. Learning the menu setup is like learning another language. I’m language-challenged, but I do know my rudimentary way around the Fujifilm, Sony Alpha, and Canon menu setups. The menu setup for this brand of camera is extensive, but easier to intuit than Sony’s menu settings. That said, it behooves one to do a marginal skim of the owner’s manual before heading out into the field. I didn’t do that and ended up spending 30+ minutes trying to work with a setting while out in the park, wasting some good lighting conditions. And, I know better than to do that! Jeesh.
3. Battery life sucks for air – especially with the GFX 100S. My intention was to use the GFX 100S for an entire day of shooting, but both the battery that came with the camera as well as the spare battery I’d purchased pooped out on me before midday. I’ve since ordered an extra couple of batteries on top of the two I have, and I went ahead and ordered a couple more batteries for the GFX 100, although it’s battery life seems to be a bit longer. I just don’t want to be caught out in the field empty handed when that once-in-a-lifetime composition comes along. Know what I mean?
4. Two-second timer. When the camera is on the tripod, I always use the 2-second timer. It eliminates that last bit of vibration from my finger touching the shutter button. With both the GFX100 and the GFX100S, there’s three parts to the timer. In the Shooting setting (the little camera icon in the menu), you can set the self-timer to 10 seconds, 2 seconds, or Off. Then, you need to tell the camera to remember that self- timer setting in order for that timer to remain in effect for the next image, or if you turn the camera off and then back on at a later time. Otherwise, the timer will only work for one shot. Then, you’ll have to go back in and tell the camera to use the timer again. You’ll also need to decide whether or not you want the self-timer lamp on. That’s the little light that turns on while the s elf-timer is in use. For night shots (which I haven’t tried yet), I’ll turn that lamp off.
That’s all I’ve got, for now. I’ll be taking the two cameras with me on a forthcoming 2-week trip to a couple of national parks I’ve never visited (fingers crossed I don’t have any further health issues – or car issues, for that matter). I’m not certain if I’ll be able to get any star shots due to the smoky skies from area wildfires, but if the sky is clear, then I’ll see how well these cameras do regarding night scenes.
Copyright Rebecca L. Latson, all rights reserved.
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It’s Trivia Tuesday, folks! So are you looking at UFOs in the images above? Nah. But, if you ever visit Mount Rainier National Park in Washington state, you might see a lens-shaped cloud hovering over “The Mountain” or the Tatoosh Range. These are called lenticular clouds and they usually form when there’s a moist airflow over a mountain (although sometimes they form where there is no mountain). They look calm and stable, however they are anything but stable. Pilots like to avoid them as they make for one heck of a turbulent ride. “Lennies” also make for great photo ops, don’t you think?
Ok, this post’s title is not very original , but it’s sort of a “two fer” post. The National Parks Traveler has published two of my articles. One of them is my monthly photo column – this month, it deals with photographing water. The other article is a Traveler Checklist with suggestions on things to do and see if you plan on visiting Olympic National Park.
To read the water photo column, click on the topmost image.
To read the Olympic National Park checklist, click on the waterfall image.
Copyright Rebecca L. Latson, all rights reserved.
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The National Parks Traveler has published my latest Checklist. This one offers tips and suggestions for things to see and do while visiting Mount Rainier National Park, in Washington state. To read the article, just click on the image.
This image above was captured back in the autumn of 2018. I’d moved to central Washington three months earlier and wanted to get out and explore the park. I’ve visited Mount Rainier a number of times, but this was the first time since moving to the state.
I’ll have to wait on visiting this park or any other for a while. I even had to cancel (and in part reschedule) plans I had to visit three national parks in California. Two days prior to the trip, my left eye suddenly became so veiled that I couldn’t see a thing out of it. Talk about scary! As such, I returned home yesterday from eye surgery this past Monday (June 14). Thankfully, no detached retina, but I did have retinal tears that needed to be lasered back into place and some filmy hemmorrhaging that needed to be removed. I can see again, for which I am thankful, but for the next 2-3 weeks must behave like a bump on a log. No stress, strain, no lifting anything heavier than 10 lbs, no bending over, no housework, no nothing. Although I’m used to being busy, I can certainly behave in order to keep my newfound eyesight. Photographer or not, the eye is a delicate and wondrous instrument and should never be taken for granted.
Copyright Rebecca L. Latson, all rights reserved.
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It’s Trivia Tuesday, so here’s a little bit of trivia about “The Mountain.” Mount Rainier is an “episodically active” volcano and the most-glaciated peak in the Lower 48. The indigenous people named this mountain Tahoma or Tacoma, but it’s present-day moniker was bestowed upon it by one Captain George Vancouver, after sailing into Puget Sound in 1792. He named it after his buddy Peter Rainier. Mount Rainier National Park is America’s fifth national park.
Looking at this image might cause you to think I’ve deliberately oversaturated it. Nope. I can honestly tell you that for 20+ seconds, the sunrise colors are indeed this saturated. You have to work quickly to catch the scene, because as quickly as the colors appear, they disappear and are replaced by regular sunlight which turns the snow on the peak blindingly white and risks overexposure of a photo.
See that tiny person standing at the edge of Tipsoo Lake, in the lower center-ish portion of the shot next to the tree? That gives you an idea of the majesty of the landscape: One Big Mountain, One Teeny Person.
This sunrise shot was captured one fine autumn morning, a few months after I’d moved from Texas to Washington state. It’s early summer as I post this photo, and if you were to go there now, the lake would be mostly covered still in ice and snow.
Copyright Rebecca L. Latson, all rights reserved.
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It’s been almost three decades since my last visit to Mt. St. Helens National Volcanic Monument. Since moving back to Washington state, I’ve been thinking about a little return trip there to see what has changed in the ensuing years. I figured a May day visit to celebrate 41 years since the volcano’s eruption would be a great opportunity to field test a couple of new cameras (Sony Alpha 1, Fujifilm GFX 100).
It takes four hours to reach the Johnston Ridge Observatory from where I live in central Washington. In my case, it took a little longer, since I stopped at various view areas along the way. There are actually two ways to get to the volcano. There’s the slightly shorter route to Windy Ridge, on the northwestern side of Mt. St. Helens, with a great view of Spirit Lake (the road which is still closed due to snow). And then, there’s the slightly longer route along Spirit Lake Memorial Highway up to the Johnston Ridge Observatory, slightly northeast of the crater.
The first view area at which I stopped was the Hoffstadt Bridge area. There are 14 bridges built along the Spirit Lake Memorial Highway leading up to the Johnston Ridge Observatory. This bridge pictured here is the tallest of them and is located at the edge of the blast zone in this area, about 22 miles away from the volcano. The trees and green foiliage you see in the images have grown since Mt. St. Helens’ eruption 41 years ago.
After photographing the bridge, I noticed this lovely leading line of a trail creating a yin-yang feel to the scene, with the bare white tree trunks on one side and the heavier, green foliage on the other side. No, I didn’t take the trail, so I don’t know where it ultimately led. I was trying to get closer to the volcano while decent morning light remained.
I stopped at a couple more view areas, including the one above, with a side view of Mt. St. Helens and what I assume is Castle Lake to the center right of the composition. FYI, it’s reaaaalllly windy at this view spot as well as the Elk Rock Viewpoint, a stop before the Castle Lake Viewpoint. I was glad my tripod was heavy but still worried about camera shake because of the wind. I was also glad I had ear flaps to my Tilley hat, otherwise it would have blown off my head and far away.
All along the road up to the observatory, there are great stands of trees all about the same height, with signs denoting the type of tree and when they were planted. Most were planted between 1983 and 1986. This stand of noble firs was planted 1983, three years after the eruption.
The first really good, head-on view of Mt. St. Helens, imo, is at the Loowit View Area, probably a mile – more or less – down from Johnston Ridge Observatory. As you can see from the image above, even at 8 a.m., good morning light doesn’t last very long, as the vista was becoming hazy with a slight blue cast to it. Take a moment to note that contrail in the upper left corner. Every single plane I watched flying over me made a beeline to the mountain. I imagine pilots include this view in their flight plan for the benefit of the plane passengers?
This view area (as well as the observatory area) was totally devoid of the chilly wind I’d experienced on the way up, which was a nice change. No real tripod shake and I didn’t have to worry about my hat flying away.
It was interesting to see the growth that’s occurred in 41 years, yet still see very obvious signs of blast devastation. The cliff walls near the top of the image tower over the Toutle River (or what is left of it, after ash and mud spread out, flooded down, and clogged parts of the river.
I think I spent a good 45 minutes there before heading on up to Johnston Ridge Observatory. The observatory is closed, to date, and there are no restrooms or water, but the parking lot and view points are open. The last place for restrooms and water are at Coldwater Lake, some 8 miles back down elevation (or, if you look at a map, further north in distance) from the observatory.
It was after 9 a.m. by the time I reached the Johnston Ridge Observatory. The volcano was in my face as I walked up the paved rampway.
As you can see from the image above, the atmosphere around Mt. St. Helens was hazy and had quite the blue cast to it. Regardless of lighting conditions, to see up close this volcano and the devastated area around it is truly impressive.
There is a paved walkway in both directions from the observatory’s main view area, so I walked up to this view of what remains of trees that were 150 feet tall. These blasted stumps are what is left of trees blown by the power of the eruption back to the valley you see in the background.
Before I left to head toward Longview and attempt an early check in, I walked the paved trail in the other direction from the image of the blasted trees. Lo and behold, right there on the hillside where the observatory building stood was a trio of mountain goats. I’d been given a heads up by a local photographer that I might see elk, so I’d attached my Sony a1 to my 100-400mm lens. I did see elk along the route to Spirit Lake Memorial Highway (aka Hwy 504), but they weren’t in the national monument proper and I was trying to get to the volcano while there was still decent morning light. I’d switched out lenses while photographing at Loowit View Area, so I had my 24-105mm lens attached, with which I ultimately had to make do for the photos I captured of the mountain goats. This image has been cropped from the original and it was the only one showing this goat’s front end (rather than the butt ends of the other two goats on the hill).
I was able to get early check in for my reservation at the Quality Inn & Suites in Longview, a little over an hour’s drive away from the observatory. In retrospect, I wish I would have stayed at the Comfort Inn, right next to the Three Rivers Mall and closer to places for take out options. The hotel at which I stayed is in Longview’s industrial section and is a bit dated. My room had cracks in the sink and the toilet, plus my room’s door wouldn’t automatically lock after shutting. Thankfully, that issue was fixed promptly, or else I would have asked for a different room. The hotel staff was very friendly, which was a plus to an otherwise meh hotel stay. I only stayed one night, so the room was fine enough.
I returned to Mt. St. Helens later in the afternoon and the lighting was considerably better. I also noticed steam rising from a couple of vents in the lava dome that I had not detected early that morning. That was pretty cool.
I made my way from the Loowit View Area back up to the observatory (see image at the very top of this post). Once again, as I was getting ready to return to my vehicle, I saw the same three mountain goats I’d spotted earlier that morning. And of course, my Sony still had the 24-105mm lens on it. The goats were closer to the paved walkway, but I didn’t want to get too near as one of the three was rather aggressive and I sure as heck didn’t want to be on the receiving end. So, I did what any good photographer would do with a wide-angle lens on their camera instead of a telephoto lens (left back in the car): I made the wildlife a part of my landscape scene.
What did I think of my cameras? I love them both! That GFX 100 is the landscape camera of my dreams, although I sure wish they had a wider selection of lenses. Fujifilm apparently figured the GFX 100 would be used only for portraiture and architecture. That’s probably true for what the current majority of photographers who own this camera use it. But with the advent of the GFX 100s, I would imagine there are a great many more landscape photographers out there who will use this medium format for their work. Hopefully, the people at Fujifilm will take note and create more lenses.
The Sony a1 is an exceptional camera, as is the rest of its line. This one combines the resolution I like for my landscapes, along with a shutter frame rate (up to 30 fps) perfect for wildlife and sports photography. I’m hoping to get more wildlife action from this camera during an upcoming visit to Kings Canyon, Sequoia, and Yosemite national parks. Yes, I’ll be keeping a long lens attached to this particular camera during that trip.
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41 years ago, those words were shouted by geologist Dr. David Johnston as Mt. St. Helens erupted, blasting away everything around it. Dr. Johnston had been standing in the area where the Johnston Ridge Observatory now sits, in commemoration of his dedication to monitoring the mountain and the explosion which took his life.
Today – May 18, 2021 – marks the 41st anniversary of the eruption of Mt. St. Helens in Washington state. I was in my senior year of high school in Kentucky when the mountain exploded, and my sister in Yakima called us to tell us it had gotten so dark outside (in the middle of the day), that all the streetlights had turned on. And the ash floated down, covering everything. Thankfully, the house she lived in at the time had a garage, so their cars were safe from the damages wrought by the ash (which was, essentially, teeny tiny bits of volcanic glass mixed with dirt and other stuff). It would take me 10 more years before I visited Mt. St. Helens, myself.
Even after 41 years and all sorts of new growth, the remains of that eruption are still very visible and tell the story of the explosive power of the volcanoes here in this part of the Pacific Northwest.
In an upcoming post, I’ll tell you about my most recent visit to this national volcanic monument.
To read an article about the eruption, click on the image above.
Washington is filled with state parks. There are quite a number them that parallel the Columbia River. Beacon Rock State Park is one such park and it’s a place I’ve been wanting to visit for about a year – ever since I’d read about it in the local monthly Yakima Magazine.
In addition to being a place with picnic tables, rest areas, a boat ramp, and green fields through which to hike to views of the Columbia River, probably the Star of The Show is Beacon Rock itself, and with good reason. It’s an 848-foot tall volcanic plug – a remnant of what was once a volcano. The exterior was eroded away by ancient floodwaters to reveal the lithified basalt plug within the volcano. It was once called Castle Rock but after its 1915 purchase by Henry Biddle, the Beacon Rock name was restored. Biddle built an amazing trail of 53 switchbacks up to the top (complete with railing) and donated it to the state of Washington.
The park is located outside of Skamania, WA, along the Lewis and Clark National Historic Trail, which parallels the Columbia River for some distance. To hike this trail, you’ll need a Discover Pass, which you can purchase for a year for $30 or you can buy a day pass for $10 right there near the trailhead.
The majority of the one-mile (one way) trail is paved or covered with a wooden boardwalk, and near the top, the pavement gives way to dirt and rock.
It took me about 1-1/2 hours, give or take, to go up and then back down the trail. People of all ages were hiking the trail, which I would call easy – moderate. My knees took going up better than they did going down, and I was thankful for the handrailing on the way down.
I’m pretty tickled to have done that hike – it’s something I’ve wanted to do and I certainly got my exercise for the day.
May marks the 41st anniversary of the eruption of Mt. St. Helens (May 18, 1980). I first visited this volcano about 10 years after its eruption. The devastation was obvious. It would be 30 years before seeing this area again. While there has been much growth in the area (including stands of trees planted 3-6 years after the eruption), the devastation is still obvious.
I had recently purchased the Fujifilm GFX 100 and desparately wanted to get out to test this medium format camera. A return trip to Mt. St. Helens National Volcanic Monument was just the ticket. It’s about 4 hours’ drive from where I live, and even leaving at 3 a.m. didn’t get me up there in time for sunrise shots. Once I arrived, I did spend all morning there and about an hour or two of late afternoon. I can tell you that early mornings (before 9 a.m.) and late afternoons (5 p.m. and after) are the best times for good lighting, because starting at 8 a.m., things start to get a little hazy and a blue cast to the atmosphere begins to settle in prior to harsh light for the remainder of the day. Doesn’t really matter, though, since this mountain (or what remains of a once conical, snowcapped mountain with an elevation of 9,677 ft [2,950m]) is picturesque nonetheless.
I only have two lenses for the GFX 100, and both of them are prime wide-angles (wide and wider). So the close up shots I achieved while there were captured with a different camera, about which I’ll write later.
The GFX 100 is easy to work with. It still takes a little hunting in the menu to find what I need, but as I wrote in a previous post, the menu is much easier to walk through than my Sony menus. The only thing I had a problem with was the auto power-off setting, and it wasn’t so much a problem as the fact that I assumed it would be like my Sony cameras, where I depress the button and the camera comes back to life. Not so with the GFX 100. I kept pressing the shutter button and nothing would happen. It wasn’t until I turned the camera button from the On position to Off and then back On again that the camera came to life. Needless to say, I changed the settings and the camera remains completely on now. I know it’s a drain on the battery life, but even with that, I was able to shoot through the entire day without needing to change to the spare batteries (the GFX 100 takes two batteries).
As long as you check the weather reports to pick out a decent day for visiting this national monument, May is a great time. I could count on two hands the number of people I encountered, and that was at a safe distance. Not many people were there early in the morning or late in the afternoon. It is a bit of a drive off of Interstate 5 (about an hour). There aren’t that many hiking trails around there, and Johnston Ridge Observatory is not open – well, the building is not open, nor are the restrooms, but you can still drive up there, park, and walk around. The nearest restrooms are accessed at the Coldwater Lake parking area, 8 miles away from the observatory. The main hiking trail (Boundary Trail) which starts at the observatory still has quite a bit of snow on it in places – deep enough for snowshoes. I had them in my vehicle but didn’t feel like putting them on and taking them off multiple times just to cross over the snowy parts. IMO, the two best view areas for really seeing this volcano are the Loowit View Area (the photo above was captured there) and Johnston Ridge Observatory area.
If you go visit, make sure you take a telephoto lens with you. I’d brought along my Sony 100-400mm lens but left it in the car and naturally, I came across a trio of mountain goats grazing around the observatory area. Sigh.
Copyright Rebecca L. Latson, all rights reserved.
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I’m a day late in posting this – probably because I didn’t realize that March 22, 2021 was World Water Day. So, better late than never, I’m posting a water image the day after World Water Day.
We are a very lucky world to have so much life-giving water. It behooves us, as a species, to take better care of this precious resource. With climage change, I have a feeling that future battles will be fought over water.
As for this image, it was captured during a late August visit in 2019, and while there were people out there, there were not as many as I thought, given that it was summer. If you’ve never visited Olympic National Park, you should put it on your to-see bucket list. It’s a national park with a bit of everything: lush green temperate rainforests, ocean beaches, and rugged mountains.
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
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