My photo article has been published on the National Parks Traveler. Usually, my columns are published a little closer to the end of the month, but this one is different in that it deals with what you might see if you happen to visit Mount Rainier National Park anytime soon, since it’s reopened the road from the Nisqually entrance to Paradise.
To read the article, click on the image above.
As for this photo – the rain was pelting down as I got out of the car with my camera. I captured this image handheld because it was a pain to get out the tripod and set it up in the downpour. Even my camera’s rain protection was beginning to get saturated, and my bangs were plastered to my forehead. Yes, I did wear a rainjacket but didn’t pull the hood over my head because water kept dropping from the hood onto the camera. It was a mess and I was lucky to get this shot.
This was using my Nikon D850 and 24-120 lens. This is the lens that I won’t ever use again because out of all the shots I took with it, only this and one other image turned out. I’d read about problems with this lens but didn’t think it would happen to me. I guess sort of like people thinking coronavirus won’t happen to them. I *thought* everything was hunky dory after doing some lens calibration, but apparently not. Live and learn. Better to have this happen with a nearby park trip than next month’s Crater Lake trip.
The forestin monochrome on the road up to Longmire Mount Rainier National Park, Washington
No, I haven’t gone into the park, yet. I’ll be leaving tomorrow morning for that. The weather is supposed to be iffy, which means “The Mountain” will probably be in hiding. I wonder if that will affect the number of people who come into the park.
Got off on a tangent there. What I meant to write about is that I listened to the latest podcast (#69) from the National Parks Traveler. It’s an interview with large format photographer and environmentalist Clyde Butcher. It was a great interview, and I’m pleased and proud that many of the things he says about photography, I’ve been writing about in my columns for the Traveler. I don’t agree with this assertion that mountain photography is “a bunch of rocks,” but then, he loves photographing the Everglades and Big Cypress, which are teaming with all sorts of life and light.
Two things that really struck me about the interview is that Mr. Butcher said “what is photography but light?” and the fact that he wants his photos to tell a story.
Give it a listen, if you have time. It’s only about 40 minutes long. Definitely makes me want to get back out there and work on my monochrome shots.
Courtesy of the little waterfall at Sunbeam Creek, just off the Stevens Canyon Road heading up toward Paradise at Mount Rainier National Park. As you can see, it’s good to return to the same scene during different seasons to photograph the changes. The first image was captured in July, which is analogous to spring in the upper elevations (hence the healthy water flow). The second image was captured in September. The summer might have been hot, resulting in less flow, and/or the high elevation from whence this creek originates might aleady have been freezing over. True summer, with warm, sunny weather, doesn’t often last very long in the mountains.
Did you know that Emmons Glacier in Mount Rainier National Park has the largest surface area of any glacier in the contiguous U.S.? And a great place to view this glacier and The Mountain is at Emmons Vista, in the Sunrise area of the park.
It’s that time of year again, folks. I’ve created three 2020 wall calendars and am working on a fourth, each centered around the national park trips I made over the course of this year. Yes, I know there are a gazillion gorgeous calendars out there. Just add mine to the pile.
What makes my calendars different from others is that many, if not most, of these photos, you’ve seen in some form or another, and you’ve read the story behind each photo, including what I was feeling at the time I captured the shot. Photography is about storytelling, and these calendars tell a story of my national park visits.
If you are interested in seeing what I have produced, click on each image above or on each calendar cover image in the left sidebar of this blog site.
I cannot drive past Tipsoo Lake in Mount Rainier National Park without stopping. No matter what. And, in the morning, it can be difficult to photograph, unless you are right there for those all-too-short moments of sunrise. After sunrise, the colors on the mountain vanish and the snow on the mountain becomes blown out. Sunsets are better times to photograph this place, but I’m never around during that time and during the summer, sunset occurs quite late at night, when I have usually driven back home. Someday, I’ll stay to capture the sunset, as I’ve seen beautiful images captured during that time.
Snow still lingers around Tipsoo Lake, and I was glad I took along my snowshoes when I visited the park a week ago. I got my morning exercise snowshoeing around the lake.
I have no idea what possessed me to look up at this particular juncture during my foray along the Grove of The Patriarchs Trail in Mount Rainier National Park. I think it might have been to see if I could spot the little bird that was singing so exuberantly. The moment my eyes lit upon this forked tree top and the spider web between the prongs, I immediately thought of Sauron’s searching eye in The Return Of The King.
It’s Forest Friday! Yeah, still trying to work on those alliterative terms for the photos and days of the week. Sometimes it works, other times are iffy.
As for this image, when I was growing up, even into my early 30’s, I was never really interested in the forest. Hiking through it was boring and a means to an end of getting to some awesome mountain vista. Then, my digital camera days began, and things changed. I began to actually observe my interior forest surroundings. Even though green has never been a favorite color of mine, I began to discern all the myriad shades of green a forest possesses. I began to see the different mosses on the trees and nurse logs, and I began noticing fungi, from large, dish-shaped ones to teeny tiny delicate little ‘shrooms growing out of the side of a decaying log. That digital camera opened up a new world for me – one that had always existed but for which I never had much time or inclination to explore, and I began to actually *observe* my forest surroundings, which, in turn, has made me a much better photographer.
If you look at this image and keep peering at it and through it to as far as your eye can make out, you’ll see all sorts of different colors and textures and patterns, thanks to the waters of the Pacific Northwest.
When we go out into nature with our cameras, our attention is grabbed by geometry, whether we realize it or not. We are fascinated by patterns, lines, arcs, angles, circles and ellipses.
In this particular image, the first thing catching my attention on that rainy morning in Mount Rainier National Park were the tall trees standing at attention next to that somewhat-arc of a swiftly-flowing stream.
All images on these posts are the exclusive property of Rebecca L. Latson and Where The Trails Take You Photography. Please respect my copyright and do not use these images on Pinterest, Facebook, Tumblr, Instagram, Snapchat or any other business, personal or social website, blog site, or other media without my written permission. Thank you.
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