Category Archives: Sony Alpha a7r IV

Merry Christmas And Happy Holidays!

Looking Toward Home And Hearth

I know many of you will be traveling, if you are not already doing so, solo or with others, to celebrate whatever holiday you observe that comes around this time of year. So, I thought I’d get this posted, in case any of you decide to try out your own Christmas/holiday-themed photography.

Every year, it’s a tradition for me to photograph the decorated tree and to capture the warm and cool beauty of the season where I live. If it snows outside, which it has lightly done on and off for a couple of days, then I like to capture an image of the scene, including the snowy ground and looking toward and then through the window of the house, where we set up the tree and holiday lights.

Decorations During The Daytime
Christmas Tree, Presents, And Decorations At Night

I capture images of the livingroom decorations, tree, and all the presents as seen during the day and at night. During the day, the light tends to be cooler and the tree lights a little frostier and maybe even not as well seen. There’s a light, airy feeling to the daylight shot. Night, though, is a completely different story. The colors are richly saturated on their own, but with the addition of the warm gold from the tungsten lamps and the sparkly lights of the tree. Everything looks so inviting.

Looking Through The Window

I make it a point to go outside at night to capture the look of the tree and decorations through the large picture window. This scene above is a sort of yin/yang composition that I often create without even knowing it. There’s the cold blue-white light of the outside light, next to the warm, golden light of the house interior.

Christmas Ornaments And A Crochet Snowflake
A Warm Sparkle To The Ornaments
Santa Clauses
Travel Trailer Ornament (aka Becky’s Retirement Dream In Ornament Form)
Light-Up Christmas Chotchkies

And of course, I capture the ornaments and decorations, their colors and their sparkle.

This year, I used my Fujifilm GFX 100 and GFX 100s cameras. The GFX100 has a 45-100mm lens attached, and the 100s has a prime 23mm lens attached. The 45-100mm is analogous to a 35mm 36-79mm lens and the 23mm lens is analogous to a 35mm wide-angle 17mm lens. The photo above, however, of the light-up little snowglobes, was captured with a Sony Alpha a7riv and 24-105mm lens.

I hope all of you have a safe, peaceful, and photographically fun holiday time. Never stop taking those pictures, because that’s how you improve and learn.

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Filed under Christmas, Fujifilm GFX 100, Fujifilm GFX 100S, holiday, Sony Alpha a7r IV, winter

Revisiting A Favorite Spot In A National Park

Myrtle Falls, Mount Rainier National Park, 9/30/2020
Myrtle Falls, Mount Rainier National Park, 9/23/2021
Myrtle Falls, Mount Rainier National Park, 9/6/2016

I know I’ve written this before, and I tend to hammer it in to the readers of my photo column on the National Parks Traveler. But, I’m not going to stop hammering it in, so here we go again: it’s always a great idea to revisit and rephotograph a favorite national park spot, because – depending upon the season, time of day, and weather – things can look quite different from the last time you visited. If you are using a newer/different camera, the level of detail can look quite different, as well.

Take these shots of Myrtle Falls in the Paradise area of Mount Rainier National Park (Washington state). Each of the three photos were actually captured in September, from late summer to autumn, and during the morning (I didn’t realize they were all captured in September until I looked at the file info). However, these images were photographed in different years (2016, 2020, 2021) and under different weather conditions. Makes quite a difference, doesn’t it?

The first image shows a sort of veiled mountain view that I photographed with my Sony a7riv. Smoke from a wildfire had wafted in that morning, when the previous morning was crystal clear. The second image is the most recent, captured the day after official autumn and conditions were perfect for a clear photo of everything and was photographed with my Fujifilm GFX100. The last photo was taken during a rainy day when The Mountain was completely hidden from view by fog/mist/low-hanging clouds, so I focused on the waterfall rather than the gray background with my Canon 5DSR. And the really nice thing is that during each of those photo sessions, I had the place all to myself (I may forget what I ate for breakfast the other day, but stuff like that, I tend to remember). Most people up there at that time of year tend to want to sleep in, I guess.

Anyway, look at these images and compare them to one another, then take my advice and revisit your favorite spots for more photos.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Canon, Fujifilm GFX 100, Mount Rainier National Park, National Parks, Photography, Sony Alpha a7r IV

Steps Up The Trail

A leading line shot, Flood of Fire Trail, Foree Area, Sheep Rock Unit, John Day Fossil Beds National Monument

It’s Saturday, folks! Or does it matter? For the past year, the days have all run together and I’m glad I have a calendar (a real paper one, no less) to which I can refer and find out what day it actually is ;).

This photo is looking up the very short .4-mile round trip Flood of Fire Trail in the Foree Area of the Sheep Rock Unit of John Day Fossil Beds National Monument, in Oregon. It was the last trip I made pre-pandemic, before things shut down. Not the last trip I made during the entire year, mind you, but the last regular trip I made prior to Covid.

Anyway, if you are ever looking for a nice little road trip to make, a trip to any of the three units within this national monument will allow you to stretch your legs, since the few trails in each of the units are short. I really wish there were more, longer trails, but I have a feeling that perhaps, national monuments don’t get quite the love (or money) that national parks get. Then again, national monuments probably don’t get the visitor headaches that national parks get – or do they?

Last year, I saw a post, either on Facebook or Instagram, by this national monument asking that people park responsibily in the Painted Hills Unit. Apparently there was a crowding issue, brought on by people wanting to get out and away from Covid for a little bit. Many of those people were probably the kind who are only accustomed to water parks or theme parks, and a trip to an actual, outdoor, in-the-wild-type park unit is a new experience for them – an experience for which they don’t know how to practice the Leave No Trace etiquette.

But, I digress. Central Oregon is a place of winding roads, slower driving (so as not to hit the cattle ranging freely), stunning geology, awesome landscapes for your camera, but few large towns or gas stations. If you prepare accordingly, it’s a great excuse for a road trip.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under John Day Fossil Beds National Monument, National Parks, Oregon, Photography, Sony Alpha a7r IV, Travel

Merry Christmas, Everybody!

Nature’s Christmas Tree

Nature does a fine job at making her own Christmas tree, don’t you think? I photographed this lovely, snow-frosted evergreen along the side of the road in Mount Rainier National Park.

And, since it’s Fun Fact Friday as well as Christmas Day, here’s a little bit of Mount Rainier tree trivia for you:
The trees in this park extend all the way up to over 6,000 feet along the mountain flanks (over 1,800 meters, more or less). Forests cover approximately 58% of this national park. And most of the trees here are evergreen conifers, meaning they have needles and they keep their needles on their branches year-round.

Merry Christmas, everybody!

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Christmas, holiday, Mount Rainier National Park, National Parks, nature, Photography, Sony Alpha a7r IV, trees, winter

The Difference In Elevation

The next time you visit a place that has some elevation difference, take a moment to observe the other differences due to that elevation difference. For instance, notice the differences in these images here? The lowland forest interior, captured at the entrance to Westside Road in Mount Rainier National Park, looks deep and dark and is filled with lush vegetation like ferns and devils club along with dead logs and moss on parts of the trees. Sunlight makes its way into the forest in spots. Whereas the forest along Trail of Shadows in the Longmire Historic District looks – well – clearer, with more space in between the trees, less moss, and a clearer forest floor. Yes, there’s vegetation there, too, but as you can see, not quite as thick. In part because it’s not quite as wet as it is in the lowland forest, plus the difference in elevation between the Nisqually entrance and Longmire creates a difference in temperatures, too. Observation is key to getting nice photos, rather than just a grabshot.

Peering Into The Lowland Forest At Westside Road, Mount Rainier National Park
Looking Into A Smoky Forest Along The Trail Of Shadows, Longmire Historic Districe, Mount Rainier National Park

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Forest, Mount Rainier National Park, Mt. Rainier National Park, National Parks, Photography, Sony Alpha a7r IV

Photography In The National Parks: A Short Stay At Crater Lake

Crater Lake just after sunrise

If you read my previous article published in the National Parks Traveler, then you’ll know how I prepared for my photography trip to Crater Lake National Park during the Coronavirus pandemic. My latest article published by the Traveler is about the photography you can achieve within this park.

To read my photo article, click on the image above.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Canon, coronavirus, Crater Lake National Park, Equipment, National Parks, National Parks Traveler, Nikon, Oregon, Photography, Sony Alpha a7r IV, Travel

The Great American Outdoors Act

Sunrise as seen from Sinnott Memorial Overlook at Crater Lake National Park in Oregon

Yahoo! The Great American Outdoors Act has been passed! So, now what? How will that $1.3 billion a year over the next 5 years be spent, and who gets the money? Remember, there are 419 units in the National Park System.

The National Parks Traveler has an interesting article asking that very question. Go check it out.

To read the article, click on the image above.

As for that image, I had arrived at the Crater Lake Lodge area around 4:00 a.m. and realized it was too cloudy to get any pre-dawn star shots. So, I sat in the car for awhile before finally venturing out to find the steps leading to the overlook, then setting up my tripod and camera for Blue Hour, sunrise, and after-sunrise shots.

I used my Sony Alpha 7R IV camera and 16-35mm lens for this shot.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Crater Lake National Park, National Parks, National Parks Traveler, Oregon, Photography, Sony Alpha a7r IV, starbursts, sunrise

Angular Unconformity Along OR Hwy 207 To Mitchell

Angular Unconformity

I love geology. I went to school to study it. So when I travel, I like to read about the geology of the places I visit and the roads I travel. In hindsight, I wish, now, that I’d have bought and looked through the Roadside Geology of Oregon, by Marli B. Miller *before* rather than after I’d driven to John Day Fossil Beds National Monument. At least, then, I would have been able to follow the mile markers and understood what I was seeing.

Anyway, I’d stopped here because I happened to turn my head to look at the scenery right when my car was passing by these awesomly-colored outcroppings. Turns out, my inner geology radar must have been working intuitively. What you see here is called an angular “unconformity.” An angular unconformity is – in easy terms – when you see tilted beds (the green and reddish outcropping of beds) overlain by straight beds (the red-brown lines of columnar basalts you see above. It shows there is a gap in the geologic time record. So, if you are following a series of formations along a geographic distance, you might suddenly see that one formation or sediment layer of that formation is totally missing from the order of deposition, and all you see is this contact line dividing angular tilting beds from straight layers above. Any of this make sense? If not, then just admire the pretty landscape.

This image was captured using my new Sony Alpha a7r IV and 24-105mm lens. I am loving this camera!

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Geology, HDR, Landscape, Oregon, Photography, Sony Alpha a7r IV, Travel