Category Archives: HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens

Fun Fact For Your Monday

Hoh Rainforest Scenery

Here’s a fun fact for your Monday: the Hoh Rain Forest in Olympic National Park gets over 12 feet of rain a year. So, when you go visit, make sure you take along a rain jacket.

The image below was taken during late summer, and it was actually a dry day. In truth, all the days I was there in the park were dry days – well, ok, except for the last two days, when I visited Hurricane Ridge.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens, National Parks, Olympic National Park, Pentax 645z, Pentax Lens, Photography, Seasons, summer, Travel, Washington State

Creepy

Shapes And Colors In The Rain Forest BW

I know, what a word to use for something as beautiful as the scenery along the Hall of Mosses trail in the Hoh Rain Forest of Olympic National Park. Actually, this image (just in time for Halloween, I might add), is a duplicate of the color one I uploaded to a post a couple of days ago. I wondered how forest interiors might look if converted to monochrome. I immediately noticed the clarity and texture of the tree roots, and the play of shadow and light in the scene. A lovely, green and brown serene scene became a bit more sinister in black and white.

Copyright Rebecca L. Latson, all rights reserved.

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Filed under Black & White, Halloween, HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens, National Parks, Olympic National Park, Pentax Lens, Photography, Travel, Washington State

Soon, Soon ….

Just Before Sunrise

Usually, I don’t travel to any national park with high expectations. I even wrote an article in the National Parks Traveler about the rewards of lowered expectations.  I know it’s going to be rainy, overcast, snowing, probably the roads will be slick, and there might even be another f***ing government shutdown while I am there. Nonetheless, I am stoked to be returning to Yellowstone National Park in a few days for 8-1/2 days of  fall photography. For a portion of that time, I’ll be staying at the historic Old Faithful Inn, and will definitely get some interior architecture images of that beautiful lodge. I so wanted to do this during my short summer stay (2-1/2 days) during my road trip move from Texas to central Washington, but the inn was full, the crowds were YUGE, and I ultimately needed to get back on the road again to my sister’s home.

I’ll be taking 3 cameras with me and an assortment of lenses: my Canon 5DSR, Canon 1DX Mk II, and Pentax 645z. I’ll take the Canon 16-35mm, 14mm, 24-70mm, 24-105mm, 100-400mm with a 1.4x extender, Pentax 28-45mm, and Pentax 55mm lenses. No need to tell me it’s going to be a heavy backpack I take onto the plane with me. I already know that. I had to pack one of my lenses into my laptop bag, which will also be carried onto the plane.  Hey, I don’t know when I will be able to return to Yellowstone, so might as well bring as much as I can carry and that’s allowable on the plane, because I’d rather have it and not need it, than need it and not have it. Plus, I’ve broken lenses before while traveling (Hawaii comes to mind), so I’m being a little redundant with one of the lenses. I decided on this instead of trying to work around taking my Canon 500mm lens. As it is, I’ll probably forget something, even though I’ve written a list of things to pack.

Soon, soon, I will be back inside America’s first national park. Can’t wait!

Copyright Rebecca L. Latson, all rights reserved.

 

 

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To Orton Or Not To Orton … That Is The Question

Hall Of Mosses Trail Scenery - DarkerHall Of Mosses Trail Scenery - Darker

Scenery along the Hall of Mosses trail, with and without the Orton Effect, Hoh Rain Forest, Olympic National Park

Just as I have memorized the ingredients to only one drink (a prosecco margarita) so that I no longer need to look up the recipe, I have now memorized how to create the Orton Effect in a photo and won’t need to look up the instructions. What is the Orton Effect? It’s a method of creating a dreamy, Lord Of The Rings-type atmosphere within an image. Oh, I still prefer my images to look natural, but I must admit, the Orton Effect, when used judiciously, looks kinda cool, is easy to create (if you know how to create a Layer in Photoshop), and adds to the other photo editing stuff in my repertoire. The more I learn, the better I become.

Copyright Rebecca L. Latson, all rights reserved

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Rain Forest Shapes, Colors, And Light

Shapes And Colors In The Rain Forest

I’m glad I visited Olympic National Park when I did, because it’s got some rainy weather going on now and probably will for the foreseeable future, I am guessing. Fall is coming. Winter is coming. Lots of rain and wet are coming to the Olympic Peninsula.

I captured this image because, as I was wandering the Hall of Mosses trail in the Hoh Rain Forest, I noticed the sun peeking through the trees. It created what is called a “single point light source” and is great for producing photographic sunbursts. I’d already set the tripod and camera up to photograph the interesting roots, and that little bit of sunburst light was a cherry on top.

I used my Pentax 645z medium format camera for this. I don’t use this camera as often as I should, because it produces wonderful images. As a matter of fact, I’m taking it with me on my forthcoming Yellowstone trip. I’m not even going to tell you how heavy the camera pack is, or the fact that I am carrying one of the long lenses in my laptop bag so I don’t have to put anything in checked luggage. 😁

Copyright Rebecca L. Latson, all rights reserved

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Waterfall Wednesday!

Falls Creek Waterfall

The waterfall at Falls Creek, Mount Rainier National Park

Whenever I enter Mount Rainier National Park via the Stevens Canyon entrance, I always stop at the Falls Creek pullout to photograph this waterfall. Depending upon the time of the year, it can be at full throttle, or a mere trickle. I also love photographing this waterfall because of the play of light and shadow, and the many shades of green. Plus, it’s good exercise for me in getting in a few “silky water” shots. During this particular instance, it was also good practice working with my new medium format Pentax 645z.

Copyright Rebecca L. Latson, all rights reserved.

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A Medium-Format Sunrise Over Sunset Point

A Medium-Format Sunrise Over unset Point

It was my last day in the park, and my plan for the day was to use no other camera except the Pentax 645z. I didn’t bring this camera along with me on my Zion trip (and wished I had, in retrospect), so I made a point to really use it fully for a couple of days during my Bryce Canyon stay. Medium format is awesome, but it takes a bit of getting used to the different aspect ratio. To me, medium format photos are a bit “boxier” than SLR photos. However, medium format photos are more in keeping with magazine sizes (ahem).

As for that morning, it was superb. There were clouds to add a little texture to the sky, but not enough to hide the sun, which bathed the landscape in a saturated golden-orange glow. It was pretty gusty and downright cold, but I wore warm clothing. I also enjoyed a long chat with a fellow photographer who talked to me about what she did and the Sony mirrorless cameras she used.

The interesting thing about photographing in Bryce Canyon NP is that the formations (hoodoos, spires, towers, walls, arches, windows, etc.) are amazing, no matter what kind of light or weather is out there. The colors, though, are always somewhat different. In overcast weather, the colors of the landscape tend to be saturated but muted beige and pinkish-salmon with a bit of a blue cast. In direct sunlight during midday, the colors are definitely a deep, almost blinding, orange-gold and white-beige. When the morning or evening sunlight hits the landscape, the colors are saturated gold, red, orange, and absolutely glowing.

I sure do miss this place, right now.

Copyright Rebecca L. Latson, all rights reserved.

 

 

 

 

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Filed under Bryce Canyon National Park, Equipment, Geology, HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens, National Parks, Pentax 645z, Pentax Lens, Photography, sunrise, Travel

The Armchair Photography Guide to Mount Rainier National Park – Part 4

Christine Falls

My final installment (Part 4) of the Armchair Photography Guide to Mount Rainier National Park has been published in today’s edition of the National Parks Traveler.  Click on the photo to be taken to the site if you want to check out the article (and read Parts 1 – 3, if you haven’t already done so). 😉

 

 

 

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Filed under 1DX, 5DSR, Armchair Photography Guide, Canon, Equipment, HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens, Mt. Rainier National Park, Mt. Rainier National Park, National Parks, National Parks Traveler, nature, Pentax 645z, Pentax Lens, Photography, Travel

The Pentax 645Z Non-Scientific First Impressions

Becky At The Refuge

Self-Portrait taken with the 55mm lens at the Brazoria National Wildlife Refuge, Texas

I believe I mentioned  in a recent post that I’d sold my firstborn (ok, I don’t have kids so that’s not entirely true – I sold someone else’s firstborn – just kidding) to purchase a new Pentax 645z medium format body and a couple of used lenses (the 55mm and the 28-45mm zoom).  I haven’t really gotten out with it, much; this camera is sort of like saving the “good” silverware for use at that special dinner party.  Also, I currently live in a part of Texas that is totally blah when it comes to scenic landscapes, especially in the summer. Hey, I was born in Montana and also lived in Washington State, so I tend to measure everything else by those yardsticks.  I did, however, need to get the camera set up and start learning how to use it so I wouldn’t be wasting valuable sunrise or sunset time fumbling around the controls during its use while on vacation.

I’ve got several reasons for adding this camera to my Canon family:

  • I’ve wanted to follow in my father’s photographic footsteps.  After all, Dad is the person who instilled in me the love of photography.  Back in the day, when the family lived in Montana, Dad would take his Mamiya medium format film camera and drive up to Glacier National Park or maybe Big Mountain in Whitefish to spend the day capturing the scenery.  One of my bucket list goals is to get up to Big Mountain in Whitefish, Montana, and photograph the snow ghosts in black & white with my new medium format camera, like Dad did.
  • It’s been a great desire of mine to try out medium format for landscapes as I love the dynamic range capture ability of medium formats.  To see the sensor of a medium format camera compared to the sensor of a full-frame camera is always an eye-opener.  Sure, I could rent a medium format, but I figured that for the price of repeated renting (basically to take along for each and every one of my vacations), I might as well just buy the camera outright for use for the rest of my life (fingers crossed that I at least live long enough to justify the price of camera and lenses).
  • I’m really interested in comparing the 645z to the Canon 5DSR

Don’t get me wrong.  I LOVE my Canons.  I love Canon glass and I love my 1DX and 5DSRs.  That won’t change.  The Pentax 645z is like the rich aunt coming to live with the family, promising to buy a new house of the family’s choice, for the family’s use in perpetuity.

Why did I choose the Pentax 645z, a camera that’s been around since 2014, as opposed to the new Hasselblad X1D-50c mirrorless or the Fuji GFS 50S mirrorless?

  • Price – I wanted a new, not used, camera body. That was non-negotiable. On the BH Photo site, the Pentax lists at $6,996.95, the Hasselblad sells for $8,995.00 and the Fuji sells for a comparable $6,499.95.
  • Online reviews and sample images; I used Flickr.com a lot for sample image review.  I must admit that the images are all comparable, so I knew that whichever medium format camera I chose would produce great pics.
  • Established quality and reliability.  The Pentax is a great brand and it’s been around long enough to have established its quality and reliability with users (a Pentax was my first SLR purchase when I entered high school, eons ago).  Hasselblad – well, that goes without saying, and I did consider purchasing this camera except that it is more expensive and the wide-angle landscape lens I wanted to pair with the camera (Hasselblad XCD 30mmHasselblad XCD 30mm) has been on backorder forever.  The Fuji looked interesting, but it’s brand-spankin’ new, I’ve never used a Fuji before (nor have I ever used a mirrorless, actually) and it didn’t have enough reviews or images to change my mind away from the Pentax.  It’s also easier, at this point, to find used Pentax lenses from places like KEH and Lensauthority.
  • AF fine-tune adjustment (aka micro focus adjustment).  This was the major deal breaker for me (aside from price).  I wanted the camera to have some sort of AF fine-tune adjustment in its menu.  I don’t care that lenses are supposed to focus perfectly with all cameras of the same brand – they don’t.  I have had to use micro-focus adjustment on every single one of my Canon L-lenses to make sure they focus correctly between all of my Canon models.  I read that legacy lenses for the Pentax (like the 55mm lens I own) have front/back focus issues and need to be adjusted.  In all my research, I never found out if the Hasselblad or the Fuji had the ability to fine-tune focus.

Below are my first thoughts of the camera right out of the box and after a couple of very short photo sessions:  a morning session at the Brazoria National Wildlife Refuge, and a session at my DIY studio in my apartment.

Out of the box:

  • Without any lens attached, it’s actually as light as my 5DSR and definitely lighter than my 1DX.  It feels like that to me, anyway.  The heaviness comes from the lenses. That 28-45mm zoom lens I have is a freakin’ tank!  The 55mm lens, on the other hand, is light as a feather.  Ok, allow me to amend this:  any lens affixed to the Pentax after hefting the camera with the 28-45mm zoom attached would feel light as a feather.
  • The Pentax 645z body is sort of “boxy” compared to my Canon’s, but I love the grip – it’s a deeper grip which allows my small arthritic fingers to get a better handle on the camera.
  • This camera has a built-in remote receiver, so I don’t have to attach a wireless receiver to the hot shoe or any other internal attachment point like I do my Canons.  Plus, the Pentax wireless remote sender is cheaper than the ones purchased for my Canons (naturally, it must be purchased separately, because – well – they want to make all the money they can off of you in terms of accessories).  That said, after use for all the self-portraits, I can say the Pentax wireless remote is definitely less sensitive and much slower than my Canon wireless remotes.  I can hold my Canon remote sender behind my back or on the floor (pushing the button with a toe) and the Canon picks it up.  Not so with the Pentax remote sender/receiver setup.
  • Cameras of different brands will, of course, have their buttons located in different positions, those buttons will represent slightly different uses, and even the way a lens is attached to the camera body will be different.  So, I continue to have a bit of a learning curve.
  • Both of my lenses (55mm and 28-45mm) needed to be AF fine-tuned.  Easy enough, except here’s the kicker:  unlike each of my Canon cameras, which allow for, and keeps in the camera’s memory, each of the settings for the wide-angle as well as the telephoto portion of a zoom, the Pentax 645z does not do that.  Oh, it does remember the AF fine-tune settings for each separate lens, but when it comes to fine-tuning the AF of a zoom lens, it only remembers the last setting entered for that lens.  So, I must remember the separate settings for the 28mm focal length and the 45mm focal length, then re-adjust in the camera depending upon which focal length I choose to use for a shot.  Oh well, memorization is good for the aging brain, right?  It just takes a little more time to set and then re-set focus adjustment for focal lengths, so it’s good I am photographing only landscapes and not wildlife or sports.Speaking of which, I did not purchase this camera for sports or other action shots.  I only wanted this camera for landscape and portrait imagery.  Good thing, because the Pentax 645z has a speed of 3 fps (frames per second) as opposed to my Canon 5DSR (5 fps) or 1DX (12-14 fps).
  • All of my Canons sport L-brackets.  I love those things because it allows easy setup on the tripod for vertical or horizontal shots.  Initially, the closest thing I found to an L-bracket for my Pentax 645z was to purchase two separate quick-release plates from Really Right Stuff (RRS), which I did.  Each plate is $55.00.  Another, later, search dug up camera plates for this camera as sold from KES (Kirk Enterprise Solutions).

Regarding quality, I LOVE the results from this camera.  Below are some landscape and studio self-portraits captured using each of the focal lengths on my lenses.  The dynamic range is amazing, as is the ability to crop to 100% and still get awesome resolution.

Sunrise On Big Sough

Sunrise over Big Slough in Brazoia National Wildlife Refuge (28-45mm zoom at the 28mm focal length)

Boardwalk Over Big Slough

The boardwalk over Big Slough at the Brazoria National Wildlife Refuge (28mm focal length cropped)

Boardwalk Over Big Slough

The boardwalk over Big Slough at the Brazoria National Wildlife Refuge (28-45mm zoom lens at the 45mm focal length)

The Brazoria NWR trip was the very first time I’d used this camera and lenses, and of  course I’d forgotten the AF adjustment settings for the zoom lens focal lengths. So I messed around with the adjustment there at the refuge, not really knowing if I’d applied the right settings (I had not). Thankfully, these zoom lens shots still look pretty good, as long as you don’t zoom in 100% on those two black-bellied whistling ducks perched on the railing way in the background.

Becky At The 55mm Perspective

Taken with the 55mm lens

Becky At the 45mm Perspective

Taken with the 28-45mm zoom at the 45mm focal length

Becky In Her Studio

Taken with the 28-45mm zoom lens at the 28mm focal length with the top and sides cropped.

Becky And Her Backdrop

Taken with the 28-45mm zoom lens at the 28mm focal length with the camera and tripod moved much closer to the subject and the top and a bit of the sides cropped off.

These self-portraits were all edited with some very minor sharpening applied.  The 100% crop below of the second image in the series above shot using the 45mm focal length, however, is the original with no sharpening applied.

IMG0257_100 pct crop

I’ll be taking this camera and the lenses (as well as my Canons)  along for my Mt. Rainier National Park and Glacier National Park trips this year.  I am super-excited about this and will, of course, share my thoughts and images here.  I especially want to see just how well this medium format camera does with high-ISO environments, like night photography and other general low-light conditions.

 

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Filed under Equipment, HD PENTAX-DA645 28-45mm f/4.5 ED AW SR Lens, Pentax 645z, Pentax Lens, Pentax-D FA 645 55mm f/2.8 AL[IF] SDM AW Lens