I know many of you will be traveling, if you are not already doing so, solo or with others, to celebrate whatever holiday you observe that comes around this time of year. So, I thought I’d get this posted, in case any of you decide to try out your own Christmas/holiday-themed photography.
Every year, it’s a tradition for me to photograph the decorated tree and to capture the warm and cool beauty of the season where I live. If it snows outside, which it has lightly done on and off for a couple of days, then I like to capture an image of the scene, including the snowy ground and looking toward and then through the window of the house, where we set up the tree and holiday lights.
I capture images of the livingroom decorations, tree, and all the presents as seen during the day and at night. During the day, the light tends to be cooler and the tree lights a little frostier and maybe even not as well seen. There’s a light, airy feeling to the daylight shot. Night, though, is a completely different story. The colors are richly saturated on their own, but with the addition of the warm gold from the tungsten lamps and the sparkly lights of the tree. Everything looks so inviting.
I make it a point to go outside at night to capture the look of the tree and decorations through the large picture window. This scene above is a sort of yin/yang composition that I often create without even knowing it. There’s the cold blue-white light of the outside light, next to the warm, golden light of the house interior.
And of course, I capture the ornaments and decorations, their colors and their sparkle.
This year, I used my Fujifilm GFX 100 and GFX 100s cameras. The GFX100 has a 45-100mm lens attached, and the 100s has a prime 23mm lens attached. The 45-100mm is analogous to a 35mm 36-79mm lens and the 23mm lens is analogous to a 35mm wide-angle 17mm lens. The photo above, however, of the light-up little snowglobes, was captured with a Sony Alpha a7riv and 24-105mm lens.
I hope all of you have a safe, peaceful, and photographically fun holiday time. Never stop taking those pictures, because that’s how you improve and learn.
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I don’t know how many of you out there are still on a waiting list for a Fujifilm GFX 100S. I had to wait 5 months for mine and I only lucked out because I started looking at camera store websites other than the Big Two (BH Photo and Adorama). I can honestly say that, if you are a landscape photographer, the wait is worth it. The resolution is phenomenal and Fujifilm has not only actually brought a medium format camera down to the price of a high-end SLR like Sony, Canon, or Nikon, but at about the same size, too!
So, not too long ago, I spent a couple of days with my cameras up at Mount Rainier National Park. My main reason – aside from getting out and about – was to give my Fujifilm GFX 100S more of a workout. It wasn’t a complete workout because I didn’t try to get any night shots (the moon was out, making the sky too bright for decent star pics – that plus I was too tired from a full day of hiking), but it was enough for me to give a few more thoughts on this camera as well as the Fujifilm GFX 100.
1. The level of detail is simply amazing. I find, though, that I must add more saturation to the image when working with it on the computer. Sure, I could switch the film simulation from Provia/Standard to Velvia/Vivid, but that’s just a bit too vivid for me. That, plus it appears – on the LCD anyway – that some of the finer detail seen in the Provia/Standard setting is removed, or covered over, with that large boost of saturated color in the Velvia setting. I tend to apply saturation judiciously and thus prefer using Photoshop, where I feel I have a little more control.
2. Learning the menu setup is like learning another language. I’m language-challenged, but I do know my rudimentary way around the Fujifilm, Sony Alpha, and Canon menu setups. The menu setup for this brand of camera is extensive, but easier to intuit than Sony’s menu settings. That said, it behooves one to do a marginal skim of the owner’s manual before heading out into the field. I didn’t do that and ended up spending 30+ minutes trying to work with a setting while out in the park, wasting some good lighting conditions. And, I know better than to do that! Jeesh.
3. Battery life sucks for air – especially with the GFX 100S. My intention was to use the GFX 100S for an entire day of shooting, but both the battery that came with the camera as well as the spare battery I’d purchased pooped out on me before midday. I’ve since ordered an extra couple of batteries on top of the two I have, and I went ahead and ordered a couple more batteries for the GFX 100, although it’s battery life seems to be a bit longer. I just don’t want to be caught out in the field empty handed when that once-in-a-lifetime composition comes along. Know what I mean?
4. Two-second timer. When the camera is on the tripod, I always use the 2-second timer. It eliminates that last bit of vibration from my finger touching the shutter button. With both the GFX100 and the GFX100S, there’s three parts to the timer. In the Shooting setting (the little camera icon in the menu), you can set the self-timer to 10 seconds, 2 seconds, or Off. Then, you need to tell the camera to remember that self- timer setting in order for that timer to remain in effect for the next image, or if you turn the camera off and then back on at a later time. Otherwise, the timer will only work for one shot. Then, you’ll have to go back in and tell the camera to use the timer again. You’ll also need to decide whether or not you want the self-timer lamp on. That’s the little light that turns on while the s elf-timer is in use. For night shots (which I haven’t tried yet), I’ll turn that lamp off.
That’s all I’ve got, for now. I’ll be taking the two cameras with me on a forthcoming 2-week trip to a couple of national parks I’ve never visited (fingers crossed I don’t have any further health issues – or car issues, for that matter). I’m not certain if I’ll be able to get any star shots due to the smoky skies from area wildfires, but if the sky is clear, then I’ll see how well these cameras do regarding night scenes.
Copyright Rebecca L. Latson, all rights reserved.
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