“Half the Park is After Dark,” as the saying goes. This week is International Dark Skies Week, so here are a few images of some dark skies over Mount Rainier, Crater Lake, and Big Bend national parks. To read more about this week, click on any of the images above.
I don’t do much night photography, but that’s mainly because it’s hard for me to stay up past my bedtime. I’m not a “night owl” and never was. I’m an “early bird” and have no problem getting up at 3 a.m. to get to a spot for sunrise shots. I really do need to get more night shots of the parks I visit, and I’ll try to make that a mission. Another part of the problem, besides light pollution and staying up late, is that clear skies and moonless nights are the best circumstances in which to view and photograph the stars and Milky Way. Sometimes, I remember to time my trips during the week of a new moon, but oftentimes, I simply forget.
Night shots are a good way to work on your photography skills. To get a decent star image, though, you need to set your camera to Manual (not Auto or Program), put it on a tripod, increase the ISO to greater than 640, and experiment with different slow shutter speeds, anywhere from 10 seconds to greater. It’s also helpful to use a corded or wireless remote shutter release, or utilize the 2-second timer on your camera. That reduces blur from camera shake when your finder touches the shutter button.
It takes a little expertise with the editing software to really bring out that Milky Way and landscape. Some photographers blend anywhere from two to more images to get enough light on the landscape while keeping the dark sky dark. If they are honest, they will say what they did. But most photographers keep quiet. That’s why you will be amazed at seeing something like the night sky over the Watchman and Virgin River at Zion Park, where the landscape is beautifully lit. when in reality – as you can see from the image above, captured around 2 a.m. on a cold, clear February night – it is a a bit darker. Nonetheless, it doesn’t detract from the beauty of the shot.
Copyright Rebecca L. Latson, all rights reserved.
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